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Czech Chamber Music Society • Federico Colli


The piano recital is one of the most distinguished forms of chamber music. The wonderful young pianist Federico Colli returns to the Rudolfinum in January for a programme of romantic works performed alongside Czech music from the inimitable Leoš Janáček.

Subscription series R | Czech Chamber Music Society

Programme

Leoš Janáček
On an Overgrown Path 
4. The Madonna of Frýdek
5. They Chattered Like Swallows
7. Good Night!

Robert Schumann
Forest Scenes, Op. 82

Franz Schubert (arr. by Maria Grinberg)
Fantasy in F Minor

Edvard Grieg (arr. by Grigory Ginzburg)
Peer Gynt 

Performers

Federico Colli piano

Photo illustrating the event Czech Chamber Music Society • Federico Colli

Rudolfinum — Dvořák Hall

Student tickets



Normal tickets


Available seats
634
4
Price from 100 to 850 CZK Tickets and contact information

Single ticket sales for all public dress rehearsals:
from 11 September 2024, 10.00

Customer Service of Czech Philharmonic

Tel.: +420 227 059 227
E-mail: info@czechphilharmonic.cz

Customer service is available on weekdays from 9.00 am to 6.00 pm.

 

Performers

Federico Colli  piano

Federico Colli

“I don’t consider myself a mere pianist or technician of piano playing. I consider myself an artist whose most distinct trait should be curiosity. To be curious about every aspect of reality, which can be conducive in creating harmony between the human soul and beauty. Every aspect of life and every aspect of mind should conform to the endeavour to make art serve beauty,” says Federico Colli, a young Italian pianist who over the past few years has mesmerised audiences at Europe’s major concert venues with his compelling, highly imaginative, philosophical approach to music-making. In addition to performing, he has also explored literature, philosophy and religion, which, as he himself puts it, help him to “become a better human being”, adding: “I would be happy if people thought of me as an open-minded artist. An artist who makes use of doubt so as to better understand music and beauty, and the relation between beauty and truth.”

Born in Brescia, Lombardy, Federico Colli has been voted one of the 30 pianists under 30 to dominate the world stage, and selected as one of the 40 most influential Italians under 30. Although not musicians themselves, his parents recognised his talent. At the age of three or four, he began taking private percussion lessons, followed later by electric piano classes. At the age of 11, he started to devote to the classical piano, which he proceeded to study at the Milan Conservatory (within a special private training mode, only attending exams), the Imola International Piano Academy and the Mozarteum. While in Salzburg, he won first prize at the famed International Mozart Competition in 2011. A year later, he received the Gold Medal at the Leeds International Piano Competition. In the wake of these triumphs, he embarked upon a series of European concerts. He has been invited to the Musikverein in Vienna, the Konzerthaus in Berlin, Wigmore Hall in London and other hallowed venues.

Federico Colli has given a number of appearances in the Czech Republic. Following performances at the Dvořák Prague festival, in February 2022 he enthused local music lovers at a recital with the violinist Josef Špaček, a friend of his. Over the long term, he has collaborated with the Janáček Philharmonic in Ostrava, where in April 2019 he showcased his mastery rendering Domenico Scarlatti’s sonatas, which at the time he was recording for Chandos Records, his exclusive publisher. The album has gained critical acclaim (Presto Classical, BBC Music Magazine, International Piano Magazine). With the Janáček Philharmonic Ostrava, he has also performed works by Robert Schumann, Franz Liszt and Dmitri Shostakovich. In May 2023, he stood in for Lukáš Vondráček and delivered Franz Schubert’s Fantasie in F minor for piano four hands. The iconic piece, the preparation of which Colli describes on social media as follows: “when you don’t have four hands and 20 fingers, but just a marvellous transcription, a good piano and tons of hours of practising”, will be heard tonight as arranged for solo piano.

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