Czech Philharmonic • London

Mao Fujita

piano

With an innate musical sensitivity and naturalness to his artistry, 26-year old pianist Mao Fujita has already impressed many leading musicians as one of those special talents which come along only rarely, equally at home in Mozart as the major romantic repertoire.

Born in Tokyo, he began piano lessons at the age of five and won his first international prize in 2010 at the World Classic in Taiwan. While still studying at the Tokyo College of Music in 2017, he took First Prize at the prestigious Concours International de Piano Clara Haskil in Switzerland, which brought him to the attention of the international music community for the first time. He was also the Silver Medalist at the 2019 Tchaikovsky Competition in Moscow. 

Fujita has been invited to appear in recital at major international festivals and made US recital debut at Carnegie Hall in January 2023. Recent orchestral highlights include performances with the Gewandhausorchester, Munich Philharmonic, Royal Philharmonic or Royal Concertgebouw. In November 2021, Fujita signed an exclusive multi-album deal with Sony Classical International (Mozart’s complete piano sonatas, 72 Preludes by Chopin, Scriabin, and Yashiro). He is a member of Konzerthaus Dortmund’s series "Junge Wilde" from the 24/25 season.

Bella Adamova

alto

Bella Adamova, mezzo-soprano and improviser, grew up in Prague, surrounded by many cultures. This has translated to a versatility as a musician – always occupying the space somewhere in between genres. The “Rising Star” of the BBC Music Magazine, who studied in London, Cologne, Basel, and Hannover, has won numerous awards at international competitions. Most recently, in summer 2022, she received the main prize in the Oratorio category at the prestigious International Vocal Competition in 's-Hertogenbosch, the Netherlands, and second place in the Lied Duo category with pianist Malte Schäfer at the international competition “Franz Schubert and Modern Music” in Graz, Austria. Although the focal point of her artistic interest is the song, she also devotes herself to opera and oratorio – in March 2024 she makes her debut at the National Theatre in Prague as the Third Wood Sprite in a new production of Rusalka. Her repertoire ranges from Baroque to contemporary music, including works especially written for her.

Prague Philharmonic Choir

The Prague Philharmonic Choir (PPC), founded in 1935 by the choirmaster Jan Kühn, is the oldest professional mixed choir in the Czech Republic. Their current choirmaster and artistic director is Lukáš Vasilek, and the second choirmaster is Lukáš Kozubík.

The choir has earned the highest acclaim in the oratorio and cantata repertoire, performing with the world’s most famous orchestras. In this country, they collaborate regularly with the Czech Philharmonic and the Prague Philharmonia. They also perform opera as the choir-in-residence of the opera festival in Bregenz, Austria.

Programmes focusing mainly on difficult, lesser-known works of the choral repertoire. For voice students, they are organising the Academy of Choral Singing, and for young children there is a cycle of educational concerts.

The choir has been honoured with the 2018 Classic Prague Award and the 2022 Antonín Dvořák Prize.

Lukáš Vasilek

choirmaster

Lukáš Vasilek studied conducting and musicology. Since 2007, he has been the chief choirmaster of the Prague Philharmonic Choir (PPC). Most of his artistic work with them involves rehearsing and performing a cappella repertoire and preparing them to perform in large-scale cantatas, oratorios, and operatic projects in collaboration with world-famous conductors and orchestras (Vienna Symphony Orchestra, Czech Philharmonic, Israel Philharmonic, Kyiv Symphony Orchestra, etc.).

In addition to leading the PPC, he is active in a wide range of artistic projects, most notably in collaboration with the vocal ensemble Martinů Voices, which he founded in 2010. As a conductor and choirmaster, he appears on numerous recordings for major international labels, including Decca Classics and Supraphon. In recent years, he has focused systematically on recording the choral music of Bohuslav Martinů. His recordings have received extraordinary worldwie acclaim and have earned awards from prestigious publications such as Gramophone, BBC Music Magazine, and Diapason.

Jakub Hrůša

conductor

Born in the Czech Republic, Jakub Hrůša is Chief Conductor of the Bamberg Symphony, Music Director Designate of the Royal Opera, Covent Garden (Music Director from 2025), and Principal Guest Conductor of the Czech Philharmonic. He was also formerly Principal Guest Conductor of the Orchestra dell’Accademia Nazionale di Santa Cecilia, the Philharmonia Orchestra, and Tokyo Metropolitan Symphony Orchestra.

He is a frequent guest with the world’s greatest orchestras, including the Vienna, Berlin, Munich and New York Philharmonics; Bavarian Radio, NHK, Chicago and Boston Symphonies; Leipzig Gewandhaus, Lucerne Festival, Royal Concertgebouw, Mahler Chamber and The Cleveland Orchestras; Orchestre Philharmonique de Radio France, and Tonhalle Orchester Zürich. He has led opera productions for the Salzburg Festival (Káťa Kabanová with the Vienna Philharmonic in 2022), Vienna State Opera, Royal Opera House, and Opéra National de Paris. He has also been a regular guest with Glyndebourne Festival and served as Music Director of Glyndebourne On Tour for three years.

His relationships with leading vocal and instrumental soloists have included collaborations in recent seasons with Daniil Trifonov, Mitsuko Uchida, Hélène Grimaud, Behzod Abduraimov, Anne Sofie Mutter, Lisa Batiashvili, Joshua Bell, Yefim Bronfman, Rudolf Buchbinder, Gautier Capuçon, Julia Fischer, Sol Gabetta, Hilary Hahn, Janine Jansen, Karita Mattila, Leonidas Kavakos, Lang Lang, Josef Špaček, Jean-Yves Thibaudet, Yuja Wang, Frank Peter Zimmermann, Alisa Weilerstein and others. 

As a recording artist, Jakub Hrůša has received numerous awards and nominations for his discography. Most recently, he received the Opus Klassik Conductor of the Year 2023 prize and the ICMA prize for Symphonic Music for his recording of Bruckner’s Symphony No. 4, and the Preis der Deutschen Schallplattenkritik for his recording of Mahler’s Symphony No. 4, both with Bamberg Symphony. In 2021, his disc of Martinů and Bartók violin concertos with Bamberg Symphony and Frank Peter Zimmermann was nominated for BBC Music Magazine and Gramophone awards, and his recording of the Dvořák Violin Concerto with the Bavarian Radio Symphony and Augustin Hadelich was nominated for a Grammy Award. 
 
Jakub Hrůša studied at the Academy of Performing Arts in Prague, where his teachers included Jiří Bělohlávek. He is President of the International Martinů Circle and The Dvořák Society. He was the inaugural recipient of the Sir Charles Mackerras Prize, and in 2020 was awarded both the Antonín Dvořák Prize by the Czech Republic’s Academy of Classical Music, and – together with Bamberg Symphony – the Bavarian State Prize for Music.