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Czech Philharmonic • Tomáš Netopil
One of several Czech programmes this season will offer works that are less often played, but beautiful nonetheless: Janáček’s Ballade of Blaník and Dvořák’s Slavonic Rhapsody as examples of Czech patriotism, and as a counterbalance the world premiere of Bimetal—a double concerto for two trombones and orchestra by Miloš Orson Štědroň.
Programme
Leoš Janáček
The Ballad of Blaník, a symphonic poem for large orchestra after Jaroslav Vrchlický (9')
Miloš Orson Štědroň
Bimetal. Double Concerto for 2 trombones and orchestra (world premiere) (19')
— Intermission —
Antonín Dvořák
Three Slavonic Rhapsodies, Op. 45 (40')
Performers
Lukáš Moťka trombone
Robert Kozánek trombone
Tomáš Netopil conductor
Czech Philharmonic
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Performers
Lukáš Moťka trombone
Lukáš Moťka studied at the Pavel Josef Vejvanovský Conservatory in Kroměříž, Czech Republic, under Rudolf Beran, earned a Bachelor’s Degree at the Janáček Academy of Music and Performing Arts in Brno under Jaroslav Kummer, and completed his Master’s Degree studies at the Academy of Performing Arts in Prague under Jiří Sušický, then he furthered his education at Konservatorium Privatuniversität Wien under Gabriel Madas. He won first prize and was named the overall winner of the Czech Conservatories Competition and was the winner of the International Brass Competition in Brno. He is a laureate of the Prague Spring International Competition. He played in the orchestra of the Moravian Theatre in Olomouc for two seasons, and was the principal trombonist of the Brno National Theatre Orchestra for four seasons. He currently is the principal trombonist of the Czech Philharmonic, and he teaches at the Academy of Performing Arts in Prague while serving as an instructor at music courses both in the Czech Republic and abroad. He has made solo appearances with the Czech Philharmonic, the Brno Philharmonic Orchestra, the Prague Chamber Orchestra, and the Vogtland Philharmonie Greiz/Reichenbach. He plays chamber music and jazz and has premiered pieces by contemporary composers including Juraj Filas, Ladislav Kubík and Pavel Slezák.
Robert Kozánek trombone
He studied at the P. J. Vejvanovský Conservatory in Kroměříž (Czech Republic) and graduated from the Academy of Performing Arts in Prague in 2002. He attended Professor Michel Becquet’s masterclass organised by the Czech-French Academy of Music in Telč (Czech Republic) in 1998 and completed a six-month stay at the Guildhall School of Music in London with Professor Simon Wills in 2001. He was named the laureate of international competitions in Geneva (Switzerland, 1998), Gdansk (Poland, 1999), Markneukirchen (Germany, 2002), Jeju (South Korea, 2002), Lieksa (Finland) and Helsinki (2003).
He is the principal trombonist of the Czech Philharmonic and became the section leader in the 2014-2015 season. As a soloist, he has performed with PKF – Prague Philharmonia, the Prague Radio Symphony Orchestra and other Czech orchestras. He has recorded three solo CDs and some twenty more with various chamber ensembles. He has taught at the Janáček Academy of Music and Performing Arts in Brno since 2003 and was appointed associate professor in 2011.
Tomáš Netopil conductor
An inspirational force, particularly in Czech music, Tomáš Netopil was Principal Guest Conductor with Czech Philharmonic from 2018-2024 performing regularly on tour and at concerts in the Rudolfinum Hall in Prague where he continues to conduct the orchestra’s New Year concerts which are live televised. In 2023/2024 season, Tomáš Netopil conducted opera productions including Janáček’s Jenůfa at the Hamburg Staatsoper and Dvořák’s Rusalka at the Prague National Theatre as well as symphonies with Frankfurt Opera Orchestra, Janáček Philharmonic Ostrava, Naples Philharmonic and Fort Worth Symphony Orchestra.
Opera productions in the 2024/2025 season include Mozart’s La Clemenza di Tito at the Grand Théâtre de Genève, Die Zauberflote with the New National Theatre Foundation, Tokyo and Don Giovanni with Oper Köln. Netopil explores a wide range of symphonic repertoire in engagements with Oslo Philharmonic, Antwerp, Kuopio and Sydney Symphony Orchestras, Hong Kong Sinfonietta and Accademia Nazionale di Santa Cecilia. This season sees a welcome return to L'Orchestre Philharmonique de Monte-Carlo as well as a debut with Orchestre National des Pays de la Loire. Another return is to Concentus Musicus Wien which builds on his work with period ensembles. As part of the Prague Spring Festival, Netopil will delight audiences with an authentic production of Mozart’s Requiem.
Seven years ago, Tomáš Netopil created the International Summer Music Academy in Kroměříž offering students both exceptional artistic tuition and the opportunity to meet and work with major international musicians. In summer 2021, in association with the Dvořák Prague Festival, the Academy established the Dvořákova Praha Youth Philharmonic with musicians from conservatories and music academies, coached by principal players of the Czech Philharmonic. Tomáš Netopil has held a close relationship with the Dvořák Prague Festival for some time and was Artist-in-Residence in 2017, opening the Festival with Essen Philharmoniker and closing the Festival with Wiener Symphoniker in Dvořák’s Te Deum.
Tomáš Netopil’s discography for Supraphon includes Janáček’s Glagolitic Mass (the first ever recording of the original 1927 version), Dvořák’s complete cello works, Martinů’s Ariane and Double Concerto, and Smetana’s Má vlast with the Prague Symphony Orchestra with whom he’ll become Chief Conductor and Music Director from 2025/2026 season. During his tenure in Essen, his releases included recordings of Suk Asrael and Mahler Symphony Nos. 2, 3 6 and 9.
From 2008-2012 Tomáš Netopil held the position of Music Director of the Prague National Theatre. He studied violin and conducting in his native Czech Republic, as well as at the Royal College of Music in Stockholm under the guidance of Professor Jorma Panula. In 2002 he won the 1st Sir Georg Solti Conductors Competition at the Alte Oper Frankfurt.