Photo illustrating page  Tomáš Netopil Czech Philharmonic

Czech Philharmonic • Tomáš Netopil


Czech Philharmonic

Tomáš Netopil again brings a new perspective on 18th century music. Two superb Czech Philharmonic players join forces in Mozart’s double concerto. The dramatic melodrama Medea will be the centrepiece. Its composer, Jiří Antonín Benda, had a successful career in German musical centres, and with the new genre, he wished to compete with Italian opera.

Subscription series B

Programme

Wolfgang Amadeus Mozart
Concerto in C major for flute, harp, and orchestra, K 299

Jiří Antonín Benda
Medea, melodrama

Performers

Jana Boušková harp
Naoki Sato flute

Zuzana Stivínová Medea

Tomáš Netopil conductor

Czech Philharmonic

Photo illustrating the event Czech Philharmonic Tomáš Netopil

Rudolfinum — Dvořák Hall

9 Feb 2022  Wednesday 10.00am
Final rehearsal
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9 Feb 2022  Wednesday 7.30pm
Available seats
10 Feb 2022  Thursday 7.30pm
Available seats
11 Feb 2022  Friday 7.30pm
Available seats
Price from 290 to 1400 Kč

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer Service office hours are on weekdays from 09:00 a.m. to 06:00 p.m. July, August from 09:00 a.m. to 03:00 p.m.

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer Service office hours are on weekdays from 09:00 a.m. to 06:00 p.m. July, August from 09:00 a.m. to 03:00 p.m.

Performers

Jana Boušková  harp
Jana Boušková

Jana Boušková studied at the Prague Conservatory and graduated from the Ostrava University in Libuše Váchová’s class. She was then accepted to the prestigious Indiana University and studied with Susann McDonald. She is the only Czech harpist to win the world’s top International Harp Competition which takes place in the USA (1992). In the same year, she won the 2nd prize at the International Harp Contest in Israel, which has the longest tradition among harp competitions, being also the only Czech harpist to be invited to this competition. She also won the Concours International de Musique de Chambre (France) and the Torneo Internazionale di Musica (Italy). She received the “Lady Pro” award for the top ten most significant Czech female personalities as the first ever classical musician.

Jana Boušková performs as a soloist and with chamber ensembles in the Czech Republic and abroad at prestigious concert stages such as the Alice Tully Hall – Lincoln Center (New York), the Theatre Châtelet in Paris, the Musikverein in Vienna, the Prague Spring Festival and the Berliner Festtage. As a soloist she has appeared with many Czech and international orchestras at the Carnegie Hall in New York, Berlin Philharmonie, Kölner Philharmonie, Suntory Hall in Tokyo, Gewandhaus in Leipzig, Symphony Center in Chicago, Concertgebouw in Amsterdam, Rudolfinum in Prague and many others.

Besides the solo career Jana Boušková devotes herself to pedagogical activity and teaches simultaneously at the Royal Academy in Brussels and at the Music Faculty of the Academy of Performing Arts in Prague. She is the Czech Philharmonic principal harp player and is being regularly invited to participate in world renowned harp congresses and symposiums and leads masterclasses all over the world. She teaches at prestigious schools including the Indiana University in the USA and Haute Ecole de Musique in Geneva.

The vast repertoire of Jana Boušková includes compositions of all eras. Numerous Czech and foreign contemporary composers have written music directly for her. She has recorded more than twenty CDs for Czech and international labels and made recordings for radio and television companies. Jana Boušková is the official player of the prestigious Lyon & Healy harp producer and plays the instrument by this US company, which she won in the International Harp Competition in 1992.

Tomáš Netopil  conductor
Tomáš Netopil

Tomáš Netopil served his eight season as General Music Director of the Aalto Musiktheater and Philharmonie Essen in 2020|2021. This season, the operas he plans to conduct in Essen include Gluck’s Orfeo ed Euridice, Die Zauberflöte, The Bartered Bride, and Arabella. In recent seasons, he conducted Salome, Così fan tutte, Rusalka, Lohengrin, Die Walküre, Die Entführung aus dem Serail, Pique Dame, and Der Rosenkavalier. During his tenure, he has recorded highly acclaimed Suk’s Asrael, Martinů’s Ariane and Double Concerto, plus Mahler Symphonies Nos. 6 and 9.

In summer 2018, Tomáš Netopil created the International Summer Music Academy in Kroměříž offering students both exceptional artistic tuition and the opportunity to meet and work with major international musicians. In summer 2020, in association with the Dvořák Prague Festival, the academy established the Dvořák Prague Youth Philharmonic with musicians from conservatories and music academies, coached by principal players of the Czech Philharmonic. Tomáš Netopil has held a close relationship with the Dvořák Prague Festival for some time and was its Artist in Residence in 2017, opening the festival with Essen Philharmoniker and closing the festival with Dvořák’s Te Deum and the Vienna Symphony Orchestra. This new undertaking consolidated this relationship still further. An inspirational force in Czech music, Tomáš Netopil also holds the position of Principal Guest Conductor of the Czech Philharmonic. In early spring 2018 he led the orchestra on an extensive UK tour and conducted Má vlast in the opening concert of the 2018 Prague Spring Festival, which was televised live. In the 2020|2021 season, his planned engagements with them included conducting their 130th anniversary celebrations of Bohuslav Martinů, their 2021 New Year concert, and at the Smetana’s Litomyšl Festival in June 2021.

Operatic highlights include Sächsische Staatsoper Dresden (La clemenza di Tito, Rusalka, The Cunning Little Vixen, La Juive, The Bartered Bride, and Busoni’s Doktor Faust), Vienna Staatsoper (his most recent successes include Idomeneo, Der Freischütz, and a new production of Leonore) and the Netherlands Opera (Jenůfa featuring Annette Dasch, Hanna Schwarz, and Evelyn Herlitzius). His upcoming plans as a guest conductor include The Makropoulos Case at Grand Théâtre de Genève and Jenůfa for Hamburg Opera.

On the concert platform, Netopil’s planned engagements in 2020|2021 included Orchestre National de France, Salzburg Mozarteum, Vienna Symphony, Orchestre Philharmonique de Monte Carlo, BBC Symphony Orchestra, and Sinfonia Varsovia. His highlights of recent seasons included Zürich Tonhalle as well as engagements with Orchestre de Paris, London Philharmonic Orchestra, Netherlands Radio Philharmonic at the Amsterdam Concertgebouw, Orchestre National de Montpellier, RAI Torino, and Yomiuri Symphony Orchestra in Tokyo.

Tomáš Netopil’s discography for Supraphon includes Janáček’s Glagolitic Mass (the first ever recording of the original 1927 version), Dvořák’s complete cello works, Martinů’s Ariane and Double Concerto, and Smetana’s Má vlast with the Prague Symphony Orchestra.

In 2008–2012, Tomáš Netopil held the position of Music Director of the Prague National Theatre. Tomáš Netopil studied violin and conducting in his native Czech Republic, as well as at the Royal College of Music in Stockholm under the guidance of Professor Jorma Panula. In 2002, he won the 1st prize in the Sir Georg Solti Conductors Competition at the Alte Oper Frankfurt.

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