Photo illustrating page  Jakub Hrůša © Petra Hajská

Jakub Hrůša

Principal Guest Conductor


"The Czech Philharmonic is very close to my heart artistically and personally.  With the leading orchestra of our country, I have repeatedly experienced moments of beauty and deep feeling on the podium. I regard it as an honour that I may continue to be a part of the innermost musical family of the Czech Philharmonic, alongside Chief Conductor Semyon Bychkov and together with my wonderful colleague Tomáš Netopil."

Photo illustrating page  Jakub Hrůša © Petra Hajská

Born in the Czech Republic, Jakub Hrůša is Chief Conductor of the Bamberg Symphony, Principal Guest Conductor of the Czech Philharmonic, and Principal Guest Conductor of the Orchestra dell’Accademia Nazionale di Santa Cecilia. He was also formerly Principal Guest Conductor of the Philharmonia Orchestra.

He is a frequent guest with many of the world’s greatest orchestras, enjoying close relationships and performing regularly with the Vienna Philharmonic, Berlin Philharmonic, Bavarian Radio Symphony, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Staatskapelle Dresden, Tonhalle Orchester Zürich, Lucerne Festival Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Orchestre Philharmonique de Radio France, NHK Symphony and the Mahler Chamber Orchestra – and in the US with The Cleveland Orchestra, New York Philharmonic, Chicago Symphony Orchestra, and Boston Symphony Orchestra.

As a conductor of opera, he has led productions for the Vienna State Opera (The Makropulos Case), Royal Opera House, Covent Garden (Carmen), Opéra National de Paris (Rusalka), and Zurich Opera (The Makropulos Case). The 21/22 season sees him return to the Royal Opera House for Wagner’s Lohengrin. He has also been a regular guest with Glyndebourne Festival, conducting VanessaThe Cunning Little VixenA Midsummer Night’s Dream, CarmenThe Turn of the ScrewDon Giovanni and La bohème, and served as Music Director of Glyndebourne On Tour for three years.

His relationships with leading vocal and instrumental soloists have included collaborations in recent seasons with Behzod Abduraimov, Pierre-Laurent Aimard, Piotr Anderszewski, Leif Ove Andsnes, Emanuel Ax, Lisa Batiashvili, Joshua Bell, Jonathan Biss, Yefim Bronfman, Rudolf Buchbinder, Renaud Capuçon, Gautier Capuçon, Ray Chen, Isabelle Faust, Bernarda Fink, Martin Fröst, Julia Fischer, Vilde Frang, Sol Gabetta, Véronique Gens, Christian Gerhaher, Kirill Gerstein, Vadim Gluzman, Karen Gomyo, Augustin Hadelich, Hilary Hahn, Barbara Hannigan, Alina Ibragimova, Janine Jansen, Patricia Kopatchinskaja, Karita Mattila, Leonidas Kavakos, Sergey Khachatryan, Denis Kozhukhin, Lang Lang, Igor Levit, Jan Lisiecki, Albrecht Mayer, Johannes Moser, Viktoria Mullova, Anne Sofie Mutter, Kristine Opolais, Stephanie d’Oustrac, Emmanuel Pahud, Olga Peretyatko, Jean-Guihen Queyras, Josef Špaček, Jean-Yves Thibaudet, Daniil Trifonov, Simon Trpčeski, Mitsuko Uchida, Klaus Florian Vogt, Yuja Wang, Frank Peter Zimmermann, Alisa Weilerstein and Nikolaj Znaider.

As a recording artist, Jakub Hrusa has received numerous awards and nominations for his discography. His recording of Martinů and Bartók violin concertos with Bamberg Symphony and Frank Peter Zimmermann (BIS) was nominated for a 2021 Gramophone Award, and his recording of the Dvořák Violin Concerto with the Bavarian Radio Symphony and Augustin Hadelich was nominated for a Grammy ® Award in the same year. In 2020, two of his recordings - Dvořák and Martinů Piano Concertos with Ivo Kahánek and the Bamberg Symphony (Supraphon), and Vanessa from Glyndebourne (Opus Arte) - won BBC Music Magazine Awards. Other recent releases include Dvořák and Brahms Symphonies with Bamberg Symphony (Tudor), Suk’s Asrael Symphony with the Bavarian Radio Symphony (BR Klassik), and Dvořák’s Requiem and Te Deum with the Czech Philharmonic (Decca).

Jakub Hrůša studied conducting at the Academy of Performing Arts in Prague, where his teachers included Jiří Bělohlávek. He is currently President of the International Martinů Circle and The Dvořák Society. He was the inaugural recipient of the Sir Charles Mackerras Prize, and in 2020 was awarded both the Antonín Dvořák Prize by the Czech Republic’s Academy of Classical Music, and – together with Bamberg Symphony – the Bavarian State Prize for Music.

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