Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.
– Edgar Allan Poe: The Bells
In December 1906, when Sergei Rachmaninoff turned to his friend Nikita Morozov in search of literary material for a choral work, he came away empty handed, but while visiting Rome in early 1907, he received an anonymous letter with remarkable contents—a Russian translation of Poe’s poem The Bells. Besides urging him to read the poem, the letter also pointed out that the material was highly appropriate for a musical setting. Rachmaninoff arrived at the same conclusion:
“All my life I have taken pleasure in the differing moods and music of gladly chiming and mournfully tolling bells… In the drowsy quiet of a Roman afternoon, with Poe’s verses before me, I heard the bell voices, and tried to set down on paper their lovely tones that seemed to express the varying shades of human experience.” The effort proved worthwhile. In 1913, Rachmaninoff conducted the premiere of his choral symphony The Bells in Saint Petersburg.
Performing The Bells at the Rudolfinum are the Prague Philharmonic Choir led by Simon Halsey, who collaborated with the Czech Philharmonic during the 2025/2026 season on Dallapiccola’s opera Il prigioniero. “So there was no escape for me”, he says about his career, following the footsteps of his father, a choirmaster, and his mother, a conducting teacher. His father had worked closely with Benjamin Britten, so as a boy, Halsey saw the composer every summer at the festival on England’s east coast, where Britten premiered most of his works. The artistic director of the King’s College Choir, Cambridge, which Halsey attended, was also a close friend of Britten and the college’s principal pianist and organist — and so young Simon even sang at a memorial service honouring the composer’s memory.
According to him, Britten’s music stirs the intellect just as strongly as it moves the heart. The choirmaster of the Oslo Philharmonic adds that he feels strongly connected to Britten.
Performers
Seong-Jin Cho piano
With an innate musicality and overwhelming talent, Seong-Jin Cho has established himself worldwide as one of the leading pianists of his generation and most distinctive artists on the current music scene. His thoughtful and poetic, assertive and tender, virtuosic and colourful playing can combine panache with purity and is driven by an impressive natural sense of balance.
Seong-Jin Cho was brought to the world’s attention in 2015 when he won First Prize at the Chopin International Competition in Warsaw, and his career has rapidly ascended since. In January 2016, he signed an exclusive contract with Deutsche Grammophon. An artist high in demand, Cho works with the world's most prestigious orchestras including Berliner Philharmoniker, Wiener Philharmoniker, London Symphony Orchestra, Orchestre de Paris, New York Philharmonic and The Philadelphia Orchestra. Conductors he regularly collaborates with include Myung-Whun Chung, Gustavo Dudamel, Yannick Nézet-Séguin, Andris Nelsons, Gianandrea Noseda, Sir Simon Rattle, Santtu Matias Rouvali and Esa-Pekka Salonen.
An active recitalist very much in demand, Seong-Jin Cho performs in many of the world’s most prestigious concert halls. During the coming season he is engaged to perform solo recitals at the likes of Carnegie Hall, Boston Celebrity Series, Walt Disney Hall, Alte Oper Frankfurt, Liederhalle Stuttgart, at Laeiszhalle Hamburg, Berliner Philharmonie, Musikverein Wien and he debuts in recital at the Barbican London.
Seong-Jin Cho’s recordings have garnered impressive critical acclaim worldwide. The most recent one is of Chopin’s Piano Concerto No. 2 and Scherzi with the London Symphony Orchestra and Gianandrea Noseda, having previously recorded Chopin’s Piano Concerto No. 1 as well as the Four Ballades with the same orchestra and conductor. His latest solo album titled The Wanderer was released in May 2020.
Born in 1994 in Seoul, Seong-Jin Cho started learning the piano at the age of six and gave his first public recital aged 11. In 2009, he became the youngest-ever winner of Japan’s Hamamatsu International Piano Competition. In 2011, he won Third Prize at the International Tchaikovsky Competition in Moscow at the age of 17. From 2012–2015 he studied with Michel Béroff at the Conservatoire National Supérieur de Musique de Paris. Seong-Jin Cho is now based in Berlin.
Kristina Mkhitaryan soprano
Pavel Černoch tenor
Talent, industriousness, and an intelligent vocal approach have made Pavel Černoch one of today’s most respected and sought-after tenors. Critics highlight the silky tenderness and malleability of his voice and praise his acting talent, thanks to which he has convincingly portrayed such complex operatic characters as Janáček’s Laca, the Prince in Rusalka, and Cavaradossi in Puccini’s Tosca.
His portrayals of roles mainly from the 19th and early 20th centuries have already been heard, for example, at New York’s Metropolitan Opera, the Opéra national in Paris, London’s Covent Garden, and Madrid’s Teatro Real; he has also performed at the BBC Proms and festivals in Bregenz, Salzburg, and Glyndebourne. He has appeared on stage with Sir Simon Rattle in performances including a production of Káťa Kabanová in Berlin
A graduate of the music management programme at the Janáček Academy of Performing Arts in Brno, he also went abroad to pursue his dream of becoming a singer. At the very beginning of his vocal career, he met the teacher Paolo De Napoli, who became his life-long mentor. His path to fame is recorded in the Czech Television documentary Pavel Černoch – Enfant terrible?
Alexej Isajev bass
Prague Philharmonic Choir
The Prague Philharmonic Choir (PPC), founded in 1935 by the choirmaster Jan Kühn, is the oldest professional mixed choir in the Czech Republic. Their current choirmaster and artistic director is Lukáš Vasilek, and the second choirmaster is Lukáš Kozubík.
The choir has earned the highest acclaim in the oratorio and cantata repertoire, performing with the world’s most famous orchestras. In this country, they collaborate regularly with the Czech Philharmonic and the Prague Philharmonia. They also perform opera as the choir-in-residence of the opera festival in Bregenz, Austria.
Programmes focusing mainly on difficult, lesser-known works of the choral repertoire. For voice students, they are organising the Academy of Choral Singing, and for young children there is a cycle of educational concerts.
The choir has been honoured with the 2018 Classic Prague Award and the 2022 Antonín Dvořák Prize.
Simon Halsey choirmaster
Semyon Bychkov conductor
In addition to conducting at Prague’s Rudolfinum, Semyon Bychkov and the Czech Philharmonic in the 2023/2024 season, took the all Dvořák programmes to Korea and across Japan with three concerts at Tokyo’s famed Suntory Hall. In spring, an extensive European tour took the programmes to Spain, Austria, Germany, Belgium, and France and, at the end of year 2024, the Year of Czech Music culminated with three concerts at Carnegie Hall in New York.
Among the significant joint achievements of Semyon Bychkov and the Czech Philharmonic is the release of a 7-CD box set devoted to Tchaikovsky’s symphonic repertoire and a series of international residencies. In 2024, Semjon Byčkov with the Czech Philharmonic concentrated on recording Czech music – a CD was released with Bedřich Smetanaʼs My Homeland and Antonín Dvořákʼs last three symphonies and ouvertures.
Bychkovʼs repertoire spans four centuries. His highly anticipated performances are a unique combination of innate musicality and rigorous Russian pedagogy. In addition to guest engagements with the world’s major orchestras and opera houses, Bychkov holds honorary titles with the BBC Symphony Orchestra – with whom he appears annually at the BBC Proms – and the Royal Academy of Music, who awarded him an Honorary Doctorate in July 2022. Bychkov was named “Conductor of the Year” by the International Opera Awards in 2015 and, by Musical America in 2022.
Bychkov began recording in 1986 and released discs with the Berlin Philharmonic, Bavarian Radio, Royal Concertgebouw, Philharmonia Orchestra and London Philharmonic for Philips. Subsequently a series of benchmark recordings with WDR Symphony Orchestra Cologne featured Brahms, Mahler, Rachmaninov, Shostakovich, Strauss, Verdi, Glanert and Höller. Bychkov’s 1993 recording of Tchaikovsky’s Eugene Onegin with the Orchestre de Paris continues to win awards, most recently the Gramophone Collection 2021; Wagner’s Lohengrin was BBC Music Magazine’s Record of the Year (2010); and Schmidt’s Symphony No. 2 with the Vienna Philharmonic was BBC Music Magazine’s Record of the Month (2018).
Semyon Bychkov has one foot firmly in the culture of the East and the other in the West. Born in St Petersburg in 1952, he studied at the Leningrad Conservatory with the legendary Ilya Musin. Denied his prize of conducting the Leningrad Philharmonic, Bychkov emigrated to the United States in 1975 and, has lived in Europe since the mid-1980’s. In 1989, the same year he was named Music Director of the Orchestre de Paris, Bychkov returned to the former Soviet Union as the St Petersburg Philharmonic’s Principal Guest Conductor. He was appointed Chief Conductor of the WDR Symphony Orchestra (1997) and Chief Conductor of Dresden Semperoper (1998).