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Czech Philharmonic • Tomáš Netopil


The April programme of Series C opens with two composers associated with the city of Brno. Jan Novák was born in Nová Říše, but he received his musical education at the Brno Conservatoire.

Subscription series C

Programme

Jan Novák
Philharmonic Dances (16')

Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35 (24')
–––
César Franck
Symphony in D Minor (37')

Performers

Jiří Vodička violin

Tomáš Netopil conductor

Photo illustrating the event Czech Philharmonic • Tomáš Netopil

Rudolfinum — Dvorak Hall

Dress rehearsal
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Price from 220 to 1100 Kč Tickets and contact information

Reservation of seats for current subscribers:
until 3 June 2024, 20.00
Sale of individual tickets for subscription concerts:
from 10 June 2024, 10.00
Ticket sales for all public dress rehearsals:
from 11 September 2024, 10.00

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Tel.: +420 227 059 227
E-mail: info@czechphilharmonic.cz

Customer service is available on weekdays from 9.00 am to 6.00 pm.

 

The April programme of Series C opens with two composers associated with the city of Brno. Jan Novák was born in Nová Říše, but he received his musical education at the Brno Conservatoire. He also dedicated his Philharmonic Dances to the Brno Philharmonic shortly after its founding and the work immediately became firmly entrenched in the orchestra’s repertoire. Novák was a pupil of Vilém Petrželka, Pavel Bořkovec, and Bohuslav Martinů. Besides classical works, he also wrote music for films including Kachyňa’s Coach to Vienna and Karel Zeman’s The Stolen Airship.

Brno native Erich Wolfgang Korngold was famous for film music. It even saved his life. At the request of the Warner Brothers film studio he travelled from Vienna to Hollywood in 1938, thereby escaping the annexation of Austria by Nazi Germany. He won an Oscar for his music to the film The Adventures of Robin Hood, which he composed after arriving in America. Korngold decided that he would only compose film music until the end of the war. His Violin Concerto was the first work he wrote after the defeat of Hitler’s Germany. In the concerto there is a reflection of nostalgia for the Viennese “fin de siècle” and the work is dedicated to the widow of Korngold’s teacher, Alma Mahler.

César Franck wrote his only symphony just two years before his death, having been encouraged by the success of his Symphonic Variations for piano and orchestra. In France in those days, the symphonic genre was regarded as German and after the première of the work, the French critics condemned the symphony as dull, gloomy, and clumsy. Just two years later, it was already one of the most famous symphonic compositions in the entire world.

Performers

Jiří Vodička  violin

Jiří Vodička

Jiří Vodička, a concertmaster, soloist, and chamber player, is one of the most important and sought-after Czech violinists, but it would not have taken much for him to have devoted himself to Latin-American dance instead of the violin. At age 12 he finally decided to devote himself fully to playing the highest-pitched string instrument. About his dancing, he comments coyly: “I got something from doing that, possibly in the area of feel for rhythm.” At the unusually early age of 14, he was admitted to the Institute for Artistic Studies at the University of Ostrava, where he studied under the renowned pedagogue Zdeněk Gola. He graduated in 2007 with a master’s degree. Even earlier, he had attracted attention by winning many competitions including the Kocian International Violin Competition and Prague Junior Note. In 2002 he also won the prize for the best participant at violin classes led by Václav Hudeček, with whom he later gave dozens of concerts all around the Czech Republic. His success continued as an adult, for example winning first and second prizes at the world-famous competition Young Concert Artists (2008) held in Leipzig and New York.

A father of five, he is the owner of the Wassermann Media production company, which he founded during the Coronavirus pandemic. In the 2023/2024 season, he has entered his ninth season as the concertmaster of the Czech Philharmonic. He has made solo appearances not only with Czech orchestras like the Prague Philharmonia or the Prague Radio Symphony Orchestra, but also with the Qatar Philharmonic Orchestra, the New Philharmonic Orchestra of Westphalia, and the Wuhan Philharmonic Orchestra.

His professional activities are of greater breadth, however. In 2014, he recorded his debut solo album “Violino Solo” on the Supraphon label, and crossover fans can hear him on his worldwide Vivaldianno tour. He recently appeared at Prague Castle with Tomáš Kačo on the occasion of the state award presentation ceremony, he was formerly a member of the Smetana Trio (two more Supraphon CDs). He has performed chamber music with the outstanding Czech pianists Martin Kasík, Ivo Kahánek, Ivan Klánský, David Mareček, and Miroslav Sekera. Many of the concerts of the “Czech Paganini”, as Vodička is sometimes called because of his extraordinary technical skill, have been recorded by Czech Television, Czech Radio, or the German broadcasting company ARD. Besides all of that he teaches at the University of Ostrava.

The instrument he plays, a 1767 Italian violin made by Joseph Gagliano, came into his possession by what he calls “good old-fashioned patronage”. He received the violin for long-term use from the Czech Philharmonic’s former chief conductor Jiří Bělohlávek.

Tomáš Netopil  conductor

Tomáš Netopil

Since the 2018/2019 season, Tomáš Netopil has been the Principal Guest Conductor of the Czech Philharmonic, with which he regularly prepares concert programmes at the Rudolfinum and on tours. The 2022/2023 season was his tenth and final as General Music Director of the Aalto Theater and Philharmonic in Essen, Germany. From the 2025/2026 season, he will take up the post of chief conductor of the Prague Symphony Orchestra. 

In 2018, Tomáš Netopil created the International Summer Music Academy in Kroměříž, offering students exceptional artistic instruction and the chance to meet and work with major international musicians. In the summer of 2021, in association with the Dvořákova Praha Festival, the Academy established the Dvořák Prague Youth Philharmonic with musicians from conservatories and music academies, coached by principal players of the Czech Philharmonic.

As evidenced by his engagement in Essen, Tomáš Netopil is a sought-after opera conductor. From 2008 to 2012, he was the music director of the Opera of the National Theatre in Prague. Operatic highlights beyond Essen include the Sächsische Staatsoper Dresden (La clemenza di Tito, Rusalka, The Cunning Little Vixen, La Juive, The Bartered Bride, and Busoni’s Doktor Faust), the Vienna Staatsoper (his most recent successes include Idomeneo, Der Freischütz, and a new production of Leonore), and the Netherlands Opera (Jenůfa). His concert highlights of recent seasons have included the Tonhalle-Orchester Zürich as well as engagements with the Orchestre de Paris, the London Philharmonic Orchestra, the Netherlands Radio Philharmonic Orchestra at the Amsterdam Concertgebouw, the Orchestra Sinfonica della Rai, the Orchestre National de Montpellier, and Concentus Musicus Wien.

Tomáš Netopil’s discography for Supraphon includes Janáček’s Glagolitic Mass (the first-ever recording of the original 1927 version), Dvořák’s complete cello works, Martinů’s Ariane and Double Concerto, and Smetana’s Má vlast with the Prague Symphony Orchestra. During his tenure in Essen, he has recorded Suk’s Asrael and Mahler’s Symphonies Nos. 6 and 9.

He studied violin and conducting in his native Czech Republic and at the Royal College of Music in Stockholm under the guidance of Professor Jorma Panula. In 2002 he won the inaugural Sir Georg Solti Conductors Competition at the Alte Oper Frankfurt. In his spare time, he likes to fly small planes.

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