Czech Philharmonic • Concert with residents of the season


Magdalena Kožená has included songs by Bohuslav Martinů on the programme of her special concert to draw attention to the beauty of this seldom heard music. Simon Rattle has a similar motivation with Robert Schumann, whose music is not often heard at the Rudolfinum.

  • Duration of the programme 1 hour 40 minutes

Programme

Robert Schumann
Genoveva, Op. 81, overture to the opera (10')

Bohuslav Martinů
Nipponari. Seven songs to Japanese lyric poetry for female voice and small orchestra, H 68 (21')

— Intermission —

Bohuslav Martinů | arranged for orchestra by Jiří Teml
Songs on One Page, H 294 (8')

Robert Schumann
Symphony No. 2 in C major, Op. 61 (38')

Performers

Magdalena Kožená mezzo-soprano

Simon Rattle conductor

Czech Philharmonic

Photo illustrating the event Czech Philharmonic Concert with residents of the season

Rudolfinum — Dvořák Hall


Price from 300 to 1900 CZK Tickets and contact information

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer service is available on weekdays from 9.00 am to 6.00 pm.

 

“To me, Schumann is the perfect essence of everything one understands by the word Romanticism. His music is deeply passionate and communicative, but it never descends into self pity. I don’t think there are many more moving compositions than the Adagio of Schumann’s Second Symphony. Unlike Mahler, he never gets caught up with himself emotionally, but the music he produces is like a crystal-pure extract. It is one of the loveliest symphonies I know, and one of the most difficult to perform”, says Sir Simon Rattle.

Performers

Magdalena Kožená  mezzo-soprano
Magdalena Kožená

Born in the Czech city of Brno, Magdalena Kožená studied voice and piano at the Brno Conservatory and at Bratislava’s Academy of Performing Arts. Magdalena signed as an exclusive Deutsche Grammophon artist in 1999 and released her first album of Bach arias on its Archiv label. Her recital debut recording of songs by Dvořák, Janáček and Martinů followed in 2001 – the same year she was honoured with Gramophone’s Solo Vocal Award.

She was named Artist of the Year by Gramophone in 2004 and has since received numerous other prestigious awards, including the Echo Klassik, Record Academy Prize Tokyo, and Diapason d’or. In 2017, Magdalena forged a long-term relationship with Dutch classical music label Pentatone and has since released 3 recordings, the most recent of which is a collaboration with Yefim Bronfman entitled ‘Nostalgia’ (August 2021).

During her career, Magdalena has worked with the world’s leading conductors, including Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Bernard Haitink, Nikolaus Harnoncourt, Mariss Jansons, Sir Charles Mackerras and Sir Roger Norrington. Her list of distinguished recital partners includes the pianists Daniel Barenboim, Malcolm Martineau, András Schiff and Mitsuko Uchida, with whom she has performed at such prestigious venues as Carnegie Hall, Wigmore Hall, the Concertgebouw Amsterdam, and at the Aldeburgh, Edinburgh and Salzburg festivals. She is also in demand as soloist with the Berlin, Vienna and Czech Philharmonics, the Symphonieorchester des Bayerischen Rundfunks, Chamber Orchestra of Europe and the Cleveland, Philadelphia and Royal Concertgebouw Orchestras.

Magdalena bookends her 2022/23 season with two European piano recital tours: firstly with Yefim Bronfman at Edinburgh, Merano and Helsinki Festivals, Philharmonie Essen, Musikfest Berlin and Schloss Elmau and later with Mitsuko Uchida in Antwerp, Dortmund, Budapest and Prague Spring Festival. She re-joins her friends at Venice Baroque Orchestra for a concert tour of South America, performing a programme inspired by Handel’s Alcina and looks forward to reviving the role of Varvara (Káťa Kabanová) in concert with the London Symphony Orchestra and returning to Mozartwoche Salzburg in a semi-staged performance of Don Giovanni.

On the opera stage, Magdalena returns to the Deutsche Staatsoper Berlin for Idamante (Idomeneo) and makes her operatic debut at the Gran Teatro del Liceu as Ottavia (Poppea). She also makes her much anticipated role debut in the title role of Alcina with Les Musiciens du Louvre in a tour to Paris, Hamburg, Madrid, Barcelona and Valencia.

Magdalena was appointed a Chevalier de l'Ordre des Arts et des Lettres by the French government in 2003 for her services to French music.

Simon Rattle  conductor
Simon Rattle

Sir Simon Rattle was born in Liverpool and studied at the Royal Academy of Music. From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. In 2002 he took up the position of Artistic Director and Chief Conductor of the Berliner Philharmoniker where he remained until the end of the 2017/2018 season. Sir Simon took up the position of Music Director of the London Symphony Orchestra in September 2017. He will remain in this position until the 2023/2024 season, when he will become the orchestra’s Conductor Emeritus. From the 2023/2024 season Sir Simon will take up the position of Chief Conductor with the Symphonieorchester des Bayerischen Rundfunks in Munich. He is a Principal Artist of the Orchestra of the Age of Enlightenment and Founding Patron of Birmingham Contemporary Music Group.

Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. He regularly tours within Europe and Asia and has strong longstanding relationships with the world’s leading orchestras and opera houses.

Music education is of supreme importance to Sir Simon, and his partnership with the Berliner Philiharmoniker broke new ground with the education programme Zukunft(zavinac)Bphil, earning him the Comenius Prize, the Schiller Special Prize from the city of Mannheim, the Golden Camera and the Urania Medal. He and the Berliner Philharmoniker were also appointed International UNICEF Ambassadors in 2004 – the first time this honour has been conferred on an artistic ensemble. In 2019 Simon announced the creation of the LSO East London Academy, developed by the London Symphony Orchestra in partnership with 10 East London boroughs. This free program aims to identify and develop the potential of young East Londoners between the ages of 11 and 18 who show exceptional musical talent, irrespective of their background or financial circumstance. Sir Simon has also been awarded several prestigious personal honours which include a knighthood in 1994, becoming a member of the Order of Merit from Her Majesty the Queen in 2014 and was recently bestowed the Order of Merit in Berlin in 2018. In 2019, Sir Simon was given the Freedom of the City of London.

The 2022/2023 season will see him conduct the London Symphony Orchestra, Symphonieorchester des Bayerischen Rundfunks, Staatskapelle Berlin, the Berlin Philharmonic Orchestra and the Czech Philharmonic Orchestra for their special ‘Freedom’ concerts. He will return to the Deutsche Staatsoper Berlin to revive Mozart’s Idomeneo, and in summer 2023 he returns to the Aix en Provence Festival with the London Symphony Orchestra, where they will perform Gerard McBurney’s Wozzeck. He will tour Japan and South Korea with the London Symphony Orchestra, and later in the season they will embark on a tour to Australia.

The best of the Rudolfinum


5 times a year directly to your e-mail.
Join 9500+ readers.

Your e-mail is safe with us. One-click logout.

Close
What are you looking for?