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On the solemn day of the takeover of the Presidency of the Council of the European Union, the organisers of the Smetana’s Litomyšl National Festival and the Czech Philharmonic jointly endorse the European cultural heritage and the fundamental values of the European project – solidarity, tolerance, freedom, equality and respect.
From Bohemia's Meadows and Forest (12')
— Intermission —
Concerto in D minor for piano and orchestra No. 1, Op. 15 (45')
Lukáš Vondráček piano
Jakub Hrůša conductor
Following recent debuts with the Chicago, Pittsburgh and London symphony orchestras, Lukáš Vondráček has a season packed with highlights ahead of him. In 2021/22 he will debut with the Los Angeles Philharmonic Orchestra at Hollywood Bowl and return to renowned orchestras such as Baltimore and Chicago symphony orchestras, both under the baton of Marin Alsop. Elsewhere Lukáš Vondráček will appear with Orchestre National de Lille conducted by Lionel Bringuier, Warsaw Philharmonic as well as the Turku and Malmö symphony orchestras. Recital projects will take him to the Rudolf Firkusny Piano Festival at Prague’s Rudolfinum and the Kissinger Summer Festival. He will take his residency with the Janáček Philharmonic into the next season and continue his recording cycle of all Rachmaninov Piano concertos with Prague Symphony Orchestra.
Over the last decade Lukáš Vondráček has travelled the world working with orchestras such as the Philadelphia, Tasmanian and Sydney Symphony orchestras, Tokyo Metropolitan Symphony Orchestra, Frankfurt Symphony Radio Orchestra, Philharmonia Orchestra, Antwerp Symphony Orchestra and Oslo Philharmonic under conductors such as Paavo Järvi, Gianandrea Noseda, Yannick Nézet-Séguin, Marin Alsop, Christoph Eschenbach, Pietari Inkinen, Vasily Petrenko and Jakub Hrůša, among many others. Recitals have led him to Hamburg’s Elbphilharmonie, the Flagey in Brussels, Leipzig’s Gewandhaus, Wiener Konzerthaus or to the Concertgebouw in Amsterdam.
At the age of four Lukáš Vondráček made his first public appearance. As a fifteen-year-old in 2002 he made his debut with the Czech Philharmonic Orchestra and Vladimir Ashkenazy which was followed by a major US tour in 2003. After finishing his studies at the Academy of Music in Katowice and the Vienna Conservatoire, he obtained an Artist Diploma from Boston's New England Conservatory under the tutelage of Hung-Kuan Chen, graduating with honours in 2012. His natural and assured musicality and remarkable technique have long marked him out as a gifted and mature musician. He has achieved worldwide recognition by receiving many international awards, foremost the Grand Prix at the 2016 Concours Reine Elisabeth in Brussels.
Jakub Hrůša is Chief Conductor of the Bamberg Symphony, and Principal Guest Conductor of the Czech Philharmonic and the Orchestra dell’Accademia Nazionale di Santa Cecilia.
He is a frequent guest with the world’s greatest orchestras, including the Vienna, Berlin, Munich and New York Philharmonics; Bavarian Radio, NHK, Chicago and Boston Symphonies; Leipzig Gewandhaus, Lucerne Festival, Royal Concertgebouw, Mahler Chamber and The Cleveland Orchestras; Orchestre Philharmonique de Radio France, and Tonhalle Orchester Zürich. He has led opera productions for the Vienna State Opera, Royal Opera House, Covent Garden, Opéra National de Paris, and Zurich Opera. He has also been a regular guest with Glyndebourne Festival and served as Music Director of Glyndebourne On Tour for three years.
His recording of Martinů and Bartók violin concertos with Bamberg Symphony was nominated for a Gramophone Award, and his Dvořák Violin Concerto CD with the Bavarian Radio Symphony was nominated for a Grammy Award. In 2020, his recordings of Dvořák and Martinů Piano Concertos with Bamberg Symphony, and Vanessa from Glyndebourne, won BBC Music Magazine Awards. Other releases include Dvořák and Brahms Symphonies with Bamberg Symphony, Suk’s Asrael with the Bavarian Radio Symphony, and Dvořák’s Requiem and Te Deum with the Czech Philharmonic.
Hrůša studied at Prague’s Academy of Performing Arts, where his teachers included Jiří Bělohlávek. He is President of the International Martinů Circle and The Dvořák Society. He was the inaugural recipient of the Sir Charles Mackerras Prize, and in 2020 was awarded the Antonín Dvořák Prize by the Czech Republic’s Academy of Classical Music, and – with Bamberg Symphony – the Bavarian State Prize for Music.