Photo illustrating page  Jakub Hrůša Czech Philharmonic

Czech Philharmonic • Jakub Hrůša


Czech Philharmonic

It is only natural that Slavomír Hořínka, a finalist of the first competition held by the Czech Philharmonic in 2014, was been commissioned to write a new work. The orchestra’s guest artist Josef Špaček chose Bohuslava Martinů’s Violin Concerto No. 1, and Jakub Hrůša will be conducting Josef Bohuslav Foerster’s Symphony No. 5.

Subscription series A

Programme

Slavomír Hořínka
Rejoice III (world première)

Bohuslav Martinů
Violin Concerto No. 1, H 226

Josef Suk
A Summer's Tale, Musical Poem for Large Orchestra, Op. 29

Performers

Josef Špaček violin, guest artist

Jakub Hrůša conductor

Photo illustrating the event Czech Philharmonic Jakub Hrůša

Rudolfinum — Dvořák Hall

1 Dec 2021  Wednesday 7.30pm
Available seats
2 Dec 2021  Thursday 7.30pm
Available seats
3 Dec 2021  Friday 7.30pm
Available seats
Price from 290 to 1400 Kč

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer Service office hours are on weekdays from 09:00 a.m. to 06:00 p.m. July, August from 09:00 a.m. to 03:00 p.m.

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer Service office hours are on weekdays from 09:00 a.m. to 06:00 p.m. July, August from 09:00 a.m. to 03:00 p.m.

Performers

Josef Špaček  violin
Josef Špaček

JOSEF ŠPAČEK
violin, artistic director of the project

Josef Špaček is fast emerging as one of the most accomplished violinists of his generation. He studied with Itzhak Perlman at The Juilliard School in New York, Ida Kavafian and Jaime Laredo at the Curtis Institute of Music in Philadelphia, and with Jaroslav Foltýn at the Prague Conservatory. He was a laureate of the International Queen Elisabeth Competition in Brussels, and won top prizes at the Michael Hill International Violin Competition in New Zealand, the Carl Nielsen International Violin Competition in Denmark and the Young Concert Artists International Auditions in New York.

Highlights during the 2017/2018/2019 seasons include a return visit to the Netherlands Philharmonic Orchestra and Marc Albrecht, as well as debuts with the Orchestre Philharmonique du Capitole de Toulouse and Thomas Søndergård, the Bamberger Symphoniker and Manfred Honeck, the Scottish Chamber Orchestra and Maxim Emelyanchev, the Helsinki Philharmonic Orchestra and Michael Sanderling, the Antwerp Symphony Orchestra and David Zinman, the Orchestre Philharmonique de Strasbourg and Aziz Shokhakimov, the Orchestre Philharmonique de Monte-Carlo and Tomáš Netopil, the Stavanger Symphony Orchestra and Christian Vásquez, the Symfonieorkest Vlaanderen and Daniel Blendulf and the Kyoto Symphony Orchestra and Lio Kuokman. He continues to appear as a soloist of the Czech Philharmonic for concerts, both in Prague and on tour, conducted by Semyon Bychkov, Jakub Hrůša and Thomas Adès.

Previous highlights include subscription concerts with the Czech Philharmonic and Valery Gergiev, a return visit to the Orchestra Sinfonica Nazionale della RAI Torino and James Conlon, his debut with the Rotterdam Philharmonic Orchestra and Jiří Bělohlávek, his Berlin debut with the Konzerthausorchester Berlin and Thomas Sanderling, his Amsterdam Concertgebouw debut with the Netherlands Philharmonic Orchestra and Thomas Søndergård, his Tokyo debut with the Tokyo Metropolitan Symphony Orchestra and Jakub Hrůša and debuts with the Orchestra di Padova e del Veneto and Gerard Korsten, the Sønderjylland Symphony Orchestra and Johannes Wildner and the Symfonieorkest Vlaanderen and Adrien Perruchon (recorded by Mezzo Live HD TV), as well as recital debuts in among others Kennedy Center in Washington D.C. and La Jolla, San Diego.

In addition to the above-mentioned orchestras, Josef Špaček has appeared across Europe, the US and Asia with orchestras such as the Philadelphia Orchestra, PKF – Prague Philharmonia, Orchestre Philharmonique du Luxembourg, Essener Philharmoniker, Tonkünstlerorchester Niederösterreich, Orchestre National de Belgique, Malaysian Philharmonic Orchestra, Orquesta Filarmónica de Málaga, Auckland Philharmonia Orchestra, Kansas City Symphony and Queensland Symphony Orchestra.

The late Jiří Bělohlávek was an avid supporter of Josef Špaček and regularly invited him. Other conductors he works with include Semyon Bychkov, James Conlon, Christoph Eschenbach, Asher Fisch, Valery Gergiev, Roy Goodman, Jakub Hrůša, Manfred Honeck, Eliahu Inbal, Jun Märkl, Rossen Milanov, Tomáš Netopil, Thomas Sanderling and Thomas Søndergård.

Josef Špaček gives recitals and takes part in chamber music festivals in Europe (among others at the Rudolfinum in Prague, Konzerthaus in Vienna, Evian Festival, Kaposfest and Schloß Elmau), Asia and the USA (i.a., Kennedy Center, La Jolla, ChamberFest Cleveland and Nevada Chamber Music Festival).

Supraphon released a highly praised recording of the violin concertos by Dvořák and Janáček, and of the Fantasy by Suk, with the Czech Philharmonic conducted by Jiří Bělohlávek (“Recording of the Week” of The Sunday Times, “Recording of the Month and of the Year” of MusicWeb International and 5* in Diapason), as well as a recital CD with works for violin and piano by Smetana, Janáček and Prokofiev with pianist Miroslav Sekera. In 2010 he recorded works by H. W. Ernst for Naxos. His first CD, released in 2006, includes a complete recording of the Sonatas for Solo Violin by Eugène Ysaÿe.

He has served as concertmaster of the Czech Philharmonic Orchestra, the youngest in its history. The orchestra has named him “Associate Artist” as of January 2016.

Josef Špaček performs on the ca. 1732 “LeBrun; Bouthillard” Guarneri del Gesù violin, generously on loan from Ingles & Hayday.

 

Jakub Hrůša  conductor
Jakub Hrůša

Born in the Czech Republic, Jakub Hrůša is Chief Conductor of the Bamberg Symphony, Principal Guest Conductor of the Philharmonia Orchestra, and Principal Guest Conductor of the Czech Philharmonic.

He is a frequent guest with many of the world’s greatest orchestras, and in the 2018/19 season made debuts with the Berlin Philharmonic, Bavarian Radio Symphony, Orchestre de Paris and NHK Symphony, to all of which he was immediately re-invited. In addition to his titled positions he also enjoys close relationships with the Royal Concertgebouw Orchestra, The Cleveland Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, the New York Philharmonic, Leipzig Gewandhaus Orchestra, Chicago Symphony, Vienna Symphony, Mahler Chamber Orchestra, Deutsches Symphonie-Orchester Berlin, Rundfunk-Sinfonieorchester Berlin, Orchestre Philharmonique de Radio France, Vienna Radio Symphony, Tokyo Metropolitan Symphony Orchestra and Melbourne Symphony Orchestra. The 2019/20 season will see him return to the Berlin Philharmonic and make debuts with The Pittsburgh Symphony, Zurich Opera (a new production of the The Makropulos Case) and the Dutch National Opera (a new production for the Holland Festival of Rusalka with the Royal Concertgebouw Orchestra). In summer 2020, he will also return to The Glyndebourne Festival to conduct The Rake’s Progress.

His relationships with leading vocal and instrumental soloists have included collaborations in recent seasons with Behzod Abduraimov, Pierre-Laurent Aimard, Piotr Anderszewski, Leif Ove Andsnes, Emanuel Ax, Lisa Batiashvili, Joshua Bell, Jonathan Biss, Yefim Bronfman, Rudolf Buchbinder, Renaud Capuçon, Isabelle Faust, Bernarda Fink, Martin Fröst, Julia Fischer, Vilde Frang, Sol Gabetta, Véronique Gens, Christian Gerhaher, Kirill Gerstein, Vadim Gluzman, Karen Gomyo, Augustin Hadelich, Hilary Hahn, Barbara Hannigan, Alina Ibragimova, Janine Jansen, Karita Mattila, Leonidas Kavakos, Sergey Khachatryan, Denis Kozhukhin, Lang Lang, Igor Levit, Jan Lisiecki, Albrecht Mayer, Johannes Moser, Viktoria Mullova, Anne Sofie Mutter, Kristine Opolais, Stephanie d’Oustrac, Emmanuel Pahud, Olga Peretyatko, Jean-Guihen Queyras, Josef Špaček, Jean-Yves Thibaudet, Daniil Trifonov, Simon Trpčeski, Mitsuko Uchida, Klaus Florian Vogt, Yuja Wang, Frank Peter Zimmermann and Nikolaj Znaider.

As a conductor of opera, he has been a regular guest with Glyndebourne Festival, conducting Vanessa, The Cunning Little Vixen, A Midsummer Night’s Dream, Carmen, The Turn of the Screw, Don Giovanni and La bohème, and serving as Music Director of Glyndebourne On Tour for three years. Elsewhere he has led productions for the Royal Opera House, Covent Garden (Carmen), Vienna State Opera (a new production of The Makropulos Case), Opéra National de Paris (Rusalka and The Merry Widow), Frankfurt Opera (Il trittico) and Zurich Opera (Makropulos Case), among others.

As a recording artist, his most recent releases are the first two instalments of a new cycle of Dvořák and Brahms Symphonies, and Smetana’s Má vlast with Bamberg Symphony (Tudor). Other releases have included Concertos for Orchestra by Bartók and Kodály with RSB Berlin (Pentatone). He has also recorded Berlioz’s Symphonie fantastique, Strauss’s Eine Alpensinfonie and Suk’s Asrael Symphony with Tokyo Metropolitan Symphony Orchestra (Octavia Records); the Tchaikovsky and Bruch violin concertos with Nicola Benedetti and the Czech Philharmonic (Universal); and nine discs (with Pentatone and Supraphon) of Czech repertoire with PKF-Prague Philharmonia, where he was Music Director from 2009 until 2015.

Jakub Hrůša studied conducting at the Academy of Performing Arts in Prague, where his teachers included Jiří Bělohlávek. He is currently President of the International Martinů Circle and The Dvořák Society, and in was the inaugural recipient of the Sir Charles Mackerras Prize.

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