Photo illustrating page  Jakub Hrůša Czech Philharmonic

Czech Philharmonic • Jakub Hrůša


Czech Philharmonic

It is only natural that Slavomír Hořínka, a finalist of the first competition held by the Czech Philharmonic in 2014, was been commissioned to write a new work. The orchestra’s guest artist Josef Špaček chose Bohuslava Martinů’s Violin Concerto No. 1, and Jakub Hrůša will be conducting Suk's Summer's Tale.

Subscription series A

Programme

Slavomír Hořínka
Rejoice III (world première) (15')

Bohuslav Martinů
Violin Concerto No. 1, H 226 (26')

Josef Suk
A Summer's Tale, Musical Poem for Large Orchestra, Op. 29 (50'-54')

Performers

Josef Špaček violin, guest artist

Jakub Hrůša conductor

Photo illustrating the event Czech Philharmonic Jakub Hrůša

Rudolfinum — Dvořák Hall

1 Dec 2021  Wednesday 7.30pm
Available seats
2 Dec 2021  Thursday 7.30pm
Available seats
3 Dec 2021  Friday 7.30pm
Available seats
Price from 290 to 1400 Kč

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer Service office hours are on weekdays from 09:00 a.m. to 06:00 p.m.

Customer Service of Czech Philharmonic

Tel.:  +420 227 059 227

E-mail: info@czechphilharmonic.cz

Customer Service office hours are on weekdays from 09:00 a.m. to 06:00 p.m.

Performers

Josef Špaček  violin
Josef Špaček

JOSEF ŠPAČEK
violin, artistic director of the project

Praised for his remarkable range of colours, his confident and concentrated stage presence, his virtuosity and technical poise as well as the beauty of his tone Josef Špaček has gradually emerged as one of the leading violinists of his generation. His performances of a wide range of repertoire demonstrate his “astonishing articulation and athleticism” (The Scotsman) and “a richness and piquancy of timbre.” (The Telegraph).

He appears with orchestras including the Orchestre de Paris, the Rundfunk-Sinfonieorchester Berlin, the Bamberger Symphoniker, the Scottish Chamber Orchestra, the Konzerthausorchester Berlin, the Czech Philharmonic Orchestra, the Tonhalle-Orchester Zürich, the Helsinki Philharmonic Orchestra, the Orchestre Philharmonique du Capitole de Toulouse, the Orchestra Sinfonica Nazionale della RAI Torino, the Tokyo Metropolitan Symphony Orchestra, the Japan Philharmonic Orchestra, the Shanghai Symphony Orchestra, the Netherlands Philharmonic Orchestra, the Rotterdam Philharmonic Orchestra, the Orchestre Philharmonique de Luxembourg, the Orchestre Philharmonique de Strasbourg, the Orchestre Philharmonique de Monte-Carlo, the Stavanger Symphony Orchestra, the Symfonieorkest Vlaanderen and the Kammerakademie Potsdam.

Josef Špaček collaborates with eminent conductors such as Jakub Hrůša, Semyon Bychkov, Manfred Honeck, Valery Gergiev, Thomas Adès, Krzysztof Urbański, James Gaffigan, James Conlon, Maxim Emelyanchev, Jiří Bělohlávek, Thomas Søndergård, Cornelius Meister, Michael Sanderling, David Zinman, Eliahu Inbal, Tomáš Netopil, Paul Daniel, Marc Albrecht, Aziz Shokhakimov, Christian Vasquez, Jahja Ling and Lio Kuokman.

He equally enjoys giving recitals and playing chamber music and is a regular guest at festivals and in concert halls throughout Europe (among others at the Rudolfinum in Prague, the Konzerthaus in Vienna, the Muziekgebouw aan ‘t IJ in Amsterdam, the Kronberg Academy, the Evian Festival, the Kaposfest and at Schloß Elmau), Asia and the USA (among others at Kennedy Center, Washington D.C., 92Y in New York, La Jolla in San Diego, the ChamberFest Cleveland and the Nevada Chamber Music Festival).

His chamber music partners include Gil Shaham, Kian Soltani, James Ehnes, Clemens Hagen, Gerhard Oppitz, Noah Bendix-Balgley, Máté Szücs, Miroslav Sekera, Tomáš Jamník, Sharon Kam, Kristóf Baráti, Zoltan Fejervari and Suzana Bartal.

Supraphon released a highly praised recording of the violin concertos of Dvořák and Janáček, coupled with the Fantasy of Suk, with the Czech Philharmonic Orchestra conducted by Jiří Bělohlávek. The Sunday Times wrote: “The violinist’s individual, deeply considered and virtuosic account of Dvorak’s solo part is the highlight of this keenly conceived programme”, adding that “in this repertoire, Špaček is second to none today.”

It was the “Recording of the week” of The Sunday Times, “Recording of the month & of the year” of MusicWeb International and it received 5* in Diapason. Other recordings to date are a recital disc with works for violin and piano by Smetana, Janáček and Prokofiev with pianist Miroslav Sekera (Supraphon), works for violin solo and violin and piano by H.W. Ernst (Naxos) and an early CD with the complete Sonatas for Solo Violin by Eugène Ysaÿe.

Josef Špaček studied with Itzhak Perlman at The Juilliard School in New York, Ida Kavafian and Jaime Laredo at the Curtis Institute of Music in Philadelphia, and with Jaroslav Foltýn at the Prague Conservatory. He was laureate of the International Queen Elisabeth Competition in Brussels, and won top prizes at the Michael Hill International Violin Competition in New Zealand, the Carl Nielsen International Violin Competition in Denmark and the Young Concert Artists International Auditions in New York.

He has served as concertmaster of the Czech Philharmonic Orchestra, the youngest in its history. The orchestra named him “Associate Artist” as of January 2016. He will leave this post by the end of the 2019/20 season in order to devote himself exclusively to his solo career. Josef Špaček performs on the ca. 1732 “LeBrun; Bouthillard” Guarneri del Gesù violin, generously on loan from Ingles & Hayday. He lives in Prague with his wife and their three children. In his spare time he enjoys cycling.

 

Jakub Hrůša  conductor
Jakub Hrůša

Born in the Czech Republic, Jakub Hrůša is Chief Conductor of the Bamberg Symphony, Principal Guest Conductor of the Philharmonia Orchestra, and Principal Guest Conductor of the Czech Philharmonic.

He is a frequent guest with many of the world’s greatest orchestras. Recent performing highlights include debuts with the Vienna Philharmonic, Bavarian Radio Symphony, Orchestre de Paris, and NHK Symphony, to all of which he was immediately re-invited. In addition to his titled positions, he also enjoys close relationships with the Berlin Philharmonic, Royal Concertgebouw Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Mahler Chamber Orchestra, Cleveland Orchestra, New York Philharmonic, and the Chicago Symphony.

As a conductor of opera, he has been a regular guest with the Glyndebourne Festival, conducting Vanessa, The Cunning Little Vixen, A Midsummer Night’s Dream, Carmen, The Turn of the Screw, Don Giovanni, and La bohème and serving as the Music Director of Glyndebourne on Tour for three years. Elsewhere he has led productions for the Royal Opera House, Covent Garden (Carmen), Vienna State Opera (The Makropulos Case), Zurich Opera (The Makropulos Case), and Opéra National de Paris (Rusalka). His relationships with leading vocal and instrumental soloists have included collaborations in recent seasons with Behzod Abduraimov, Pierre-Laurent Aimard, Piotr Anderszewski, Leif Ove Andsnes, Emanuel Ax, Lisa Batiashvili, Joshua Bell, Jonathan Biss, Yefim Bronfman, Rudolf Buchbinder, Renaud Capuçon, Isabelle Faust, Bernarda Fink, Martin Fröst, Julia Fischer, Vilde Frang, Sol Gabetta, Véronique Gens, Christian Gerhaher, Kirill Gerstein, Vadim Gluzman, Karen Gomyo, Augustin Hadelich, Hilary Hahn, Barbara Hannigan, Alina Ibragimova, Janine Jansen, Karita Mattila, Leonidas Kavakos, Sergey Khachatryan, Denis Kozhukhin, Lang Lang, Igor Levit, Jan Lisiecki, Albrecht Mayer, Johannes Moser, Viktoria Mullova, Anne-Sophie Mutter, Kristine Opolais, Stephanie d’Oustrac, Emmanuel Pahud, Olga Peretyatko, Jean-Guihen Queyras, Josef Špaček, Jean-Yves Thibaudet, Daniil Trifonov, Simon Trpčeski, Mitsuko Uchida, Klaus Florian Vogt, Yuja Wang, Frank Peter Zimmermann, and Nikolaj Szeps-Znaider.

As a recording artist, recent releases have included Dvořák and Brahms Symphonies with Bamberg Symphony (Tudor), Suk’s Asrael Symphony with the Bavarian Radio Symphony (BR Klassik), and Dvořák’s Requiem and Te Deum with the Czech Philharmonic (Decca). In 2020, two of his recordings – Dvořák and Martinů Piano Concertos with Ivo Kahánek and the Bamberg Symphony (Supraphon) and Vanessa from Glyndebourne (Opus Arte) – won BBC Music Magazine Awards.

Jakub Hrůša studied conducting at the Academy of Performing Arts in Prague, where his teachers included Jiří Bělohlávek. He is currently President of the International Martinů Circle and the Dvořák Society, and was the inaugural recipient of the Sir Charles Mackerras Prize. In 2020, he received both ICMA and Grammy® nominations, and was awarded the Antonín Dvořák Prize by Czech Republic’s Academy of Classical Music.

What are you looking for?
Close
Help us improve the Czech Phil website

Tell us how satisfied you are with the website. Your evaluation will help us improve.

Play your part

Donate now
Close
What are you looking for?