Weites Land, “Musik mit Brahms”
Violin Concerto in D Major
Pyotr Ilyich Tchaikovsky
Symphony No. 1 in G Minor, Op. 13 (“Winter Dreams”)
Josef Špaček is fast emerging as one of the most accomplished violinists of his generation. He studied with Itzhak Perlman at The Juilliard School in New York, Ida Kavafian and Jaime Laredo at the Curtis Institute of Music in Philadelphia, and with Jaroslav Foltýn at the Prague Conservatory. He was laureate of the International Queen Elisabeth Competition in Brussels, and won top prizes at the Michael Hill International Violin Competition in New Zealand, the Carl Nielsen International Violin Competition in Denmark and the Young Concert Artists International Auditions in New York.
Future highlights include return visits to the Orchestra Sinfonica Nazionale della RAI Torino and James Conlon and the Netherlands Philharmonic Orchestra and Marc Albrecht, as well as debuts with the Orchestre Philharmonique de Monte-Carlo and Tomáš Netopil, the Orchestre Philharmonique du Capitole de Toulouse and Thomas Søndergård, the Orchestre Philharmonique de Strasbourg, the Stavanger Symphony Orchestra and Christian Vasquez, the Sønderjylland Symphony Orchestra and Johannes Wildner and the Symfonieorkest Vlaanderen and Adrien Perruchon. Highlights in 2016 included subscription concerts with the Czech Philharmonic Orchestra and Valery Gergiev, his debut with the Rotterdam Philharmonic Orchestra and Jiří Bělohlávek, his Berlin debut with the Konzerthausorchester Berlin and Thomas Sanderling, his Amsterdam Concertgebouw debut with the Netherlands Philharmonic Orchestra and Thomas Søndergård, his Tokyo debut with the Tokyo Metropolitan Symphony Orchestra and Jakub Hrůša and the Orchestra di Padova e del Veneto and Gerard Korsten, as well as recital debuts in among others Kennedy Center in Washington D.C. and La Jolla, San Diego. He also was the soloist of the Czech Philharmonic Orchestra and Jiří Bělohlávek during their Asia tour.
Josef Špaček has served as concertmaster of the Czech Philharmonic Orchestra, the youngest in its history. The orchestra has named him “Associate Artist” as of January 2016.
In addition to the aforementioned orchestras, Josef Špaček makes solo appearances with orchestras across Europe, the US and Asia, such as the Philadelphia Orchestra, Orchestre Philharmonique du Luxembourg, Essener Philharmoniker, Tonkünstlerorchester Niederösterreich, Orchestre National de Belgique, Malaysian Philharmonic Orchestra, Orquesta Filarmónica de Málaga, Kansas City Symphony and Queensland Symphony Orchestra.
He collaborates with conductors such as Christoph Eschenbach, Manfred Honeck, Asher Fisch, Roy Goodman, Eliahu Inbal, Jun Märkl, Giordano Bellincampi, Tomáš Netopil, Marco Angius and Rossen Milanov.
Josef Špaček gives numerous recitals in Europe (including at the Konzerthaus in Vienna and at Schloß Elmau), Asia and the USA.
April 2015 saw the Supraphon CD release of his highly praised recording of the violin concertos of Dvořák and Janáček, and of the Fantasy of Suk, with the Czech Philharmonic Orchestra conducted by Jiří Bělohlávek (among others “Recording of the week” of The Sunday Times, “Recording of the month and of the year” of MusicWeb International and 5* in Diapason). In 2013 Supraphon released his recording of works for violin and piano by Smetana, Janáček and Prokofiev with pianist Miroslav Sekera.
Josef Špaček plays a violin made in 1855 in the workshop of Jean-Baptiste Vuillaume.
Music Director and Chief Conductor of the Czech Philharmonic, Semyon Bychkov was born in Leningrad in 1952, immigrated to the United States in 1975, and has been based in Europe since the mid-1980s. Like the Czech Philharmonic, Bychkov has one foot firmly in the cultures both of the East and the West.
Following his early concerts with the Czech Philharmonic in 2013, Bychkov and the Orchestra devised The Tchaikovsky Project,a series of concerts, residencies and studio recordings which allowed them the luxury of exploring Tchaikovsky’s music together. Its first fruit was released by Decca in October 2016, followed in August 2017 by the release of the Manfred symphony. The projectculminates in 2019 with residencies in Prague, Vienna and Paris, and Decca’s release of all Tchaikovsky’s symphonies, the three piano concertos, Romeo & Juliet, Serenade for Strings and Francesca da Rimini.
Fourteen years after leaving the former Soviet Union, Bychkov returned to St Petersburg in 1989 as the Philharmonic’s Principal Guest Conductor, the same year as he was named Music Director of the Orchestre de Paris. His international career had taken off several years earlier when a series of high-profile cancellations resulted in invitations to conduct the New York Philharmonic, the Berlin Philharmonic and the Royal Concertgebouw Orchestra. In 1997, he was appointed Chief Conductor of the WDR Symphony Orchestra Cologne, and the following year, Chief Conductor of the Dresden Semperoper.
Bychkov conducts the major orchestras and at the major opera houses in the U.S. and Europe. In addition to his title with the Czech Philharmonic, he holds the Günter Wand Conducting Chair with the BBC Symphony Orchestra, with which he appears annually at the BBC Proms, and the honorary Klemperer Chair of Conducting at the Royal Academy of Music. He was named “Conductor of the Year” at the 2015 International Opera Awards. On the concert platform, the combination of innate musicality and rigorous Russian pedagogy has ensured that Bychkov’s performances are highly anticipated. With repertoire that spans four centuries, the coming season brings two weeks of concerts with the New York Philharmonic, which includes the US première of Thomas Larcher’s Symphony No. 2, and the Cleveland Orchestra where he will conduct Detlev Glanert, Martinů and Smetana. In Europe, his concerts include performances with the Leipzig Gewandhaus, Munich and Berlin Philharmonic Orchestras, Accademia Nazionale di Santa Cecilia, and the Royal Concertgebouw.
Bychkov’s recording career began in 1986 when he signed with Philips and began a significant collaboration which produced an extensive discography with the Berlin Philharmonic, Bavarian Radio, Royal Concertgebouw, Philharmonia Orchestra, London Philharmonic and Orchestre de Paris. Subsequently a series of benchmark recordings – the result of his 13-year collaboration (1997–2010) with the WDR Symphony Orchestra Cologne – include a complete cycle of Brahms’s Symphonies, and works by Strauss, Mahler, Shostakovich, Rachmaninoff, Verdi, Detlev Glanert and York Höller. His recording of Wagner’s Lohengrin was voted BBC Music Magazine’s Record of the Year in 2010; and his recent recording of Schmidt’s Symphony No. 2 with the Vienna Philharmonic was selected as BBC Music Magazine’s Record of the Month.
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