Photo illustrating page  Dvořák’s The Water Goblin and The Noon Witch Steps to the New World

Steps to the New World • Dvořák’s The Water Goblin and The Noon Witch


Czech Philharmonic

Music has tremendous power to create new landscapes before our eyes, to paint lovely pictures, and to tell stories. Simply put, thanks to music we can transport ourselves to a different time and space. One of the musical genres invented especially for this purpose in the middle of the nineteenth century is called the symphonic poem.

Subscription series Kroky
Duration of the programme 2 hod
For preschools and schools

Programme

Antonín Dvořák
The Water Goblin and The Noon Witch

Performers

Czech Student Philharmonic

Petr Kadlec guide

Marko Ivanović conductor

Photo illustrating the event Steps to the New World Dvořák’s The Water Goblin and The Noon Witch

Rudolfinum — Dvořák Hall

14 Jan 2021  Thursday 10.00am
Cancelled
15 Jan 2021  Friday 10.00am
Cancelled
18 Jan 2021  Monday 10.00am
Cancelled
Price 150/375 (subscription) Kč

Group bookings for schools and preschools at edu@ceskafilharmonie.cz  from 1st June.

Group bookings for schools and preschools at edu@ceskafilharmonie.cz  from 1st June.

The program is based on a musical part but also on a spoken word that will be given in Czech language only. The program will not be supplied with English subtitles.

“To the extent of definiteness, clarity, and truthfulness in the wave of melodies, I have not yet heard any of what I would call a ‘direct language’ of instruments in the symphonic poems that are known to me, like The Water Goblin.” (Leoš Janáček)

“I enjoy listening to Dvořák’s music, and I feel its charms almost too sensitively, but I still could not fail to point out the danger of this most recent direction. Dvořák has no need to go begging to literature (and to such literature!) for his music. His wealth of musical invention needs no borrowings, crutches, or guides… It is a peculiar passion with which Dvořák is now devoting himself to ugly, unnatural, macabre subjects that correspond so little to his real feeling for music and his amiable character. In The Water Goblin, the goblin tears the head off his own child and throws it to the unfortunate mother, while in the Noon Witch it is a female monster in whose hands an innocent child is smothered.” (Viennese music critic and aesthetician Eduard Hanslick)

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