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Katia & Marielle Labèque
The Chase (Orphée and the Princess)
Four Movements for Two Pianos (Czech premiere)
Symphonic Dances and Songs from West Side Story
(version for two pianos, as part of the project ”Leonard Bernstein at 100“)
Katia Labèque, Marielle Labèque
Raphael Seguinier, Gonzalo Grau
“The best piano duo in front of an audience today”
New York Times
“The Labèque sisters are tremendous. They are great performers, and great interpreters. And they are wonderful supporters of music – not only modern music, but just music. It is great to work with them”
“Whether Mozart or Stravinsky, their musical line always sounds as if it’s being woven for the very first time... But the illusion of improvisation is the genius of their performances. In all their recordings there is a deceptive sprezzatura that is born of throwing the preparation to the winds and hanging onto each others ears.”
Katia and Marielle Labèque are sibling pianists renowned for their ensemble of synchronicity and energy. Their musical ambitions started at an early age and they rose to international fame with their contemporary rendition of Gershwinʼs Rhapsody in Blue (one of the first gold records in classical music) and have since developed a stunning career with performances worldwide.
They are regular guests with the most prestigious orchestras such as the Berlin Philharmonic, Bayerischer Rundfunk, Boston Symphony, Chicago Symphony, Cleveland Orchestra, Leipzig Gewandhaus, London Symphony, London Philharmonic, Los Angeles Philharmonic, Filarmonia della Scala, Philadelphia Orchestra, Dresden Staatskapelle, Royal Concertgebouw Amsterdam and Vienna Philharmonic, under the direction of Marin Alsop, Alain Altinoglu, Semyon Bychkov, Sir Colin Davis, Gustavo Dudamel, Gustavo Gimeno, Mirga Gražinytė-Tyla, Pietari Inkinen, Louis Langrée, Zubin Mehta, Juanjo Mena, Andres Orozco-Estrada, Seiji Ozawa, Antonio Pappano, Matthias Pintscher, Georges Prêtre, Sir Simon Rattle, Santtu-Matias Rouvali, Esa-Pekka Salonen, Leonard Slatkin, Michael Tilson Thomas and Jaap van Zweden.
They have appeared with Baroque music ensembles such as The English Baroque Soloists with Sir John Eliot Gardiner, Il Giardino Armonico with Giovanni Antonini, Musica Antica with Reinhard Goebel and Venice Baroque with Andrea Marcon, il Pomo d’Oro with Maxim Emelyanychev and also toured with The Age of Enlightenment & Sir Simon Rattle.
Katia and Marielle have had the privilege of working with many composers including Thomas Adès, Louis Andriessen, Luciano Berio, Pierre Boulez, Bryce Dessner, Philip Glass, Osvaldo Golijov, György Ligeti, Nico Muhly and Olivier Messiaen. At Walt Disney Concert Hall in Los Angeles they presented the world premiere of Philip Glass’s new Concerto with the Los Angeles Philharmonic Orchestra under the direction of Gustavo Dudamel. In spring 2017 also saw the world premiere of Bryce Dessner’s concerto at Royal Festival Hall with the London Philharmonic Orchestra and John Storgards and in June 2020 a new concerto written by Nico Muhly, will receive its world premiere at Lincoln Center with New York Philharmonic and Jaap van Zweden.
The Labèques play in festivals and renowned venues worldwide including the Vienna Musikverein, Hamburg Musikhalle, Munich Philharmonie, Carnegie Hall, Royal Festival Hall, La Scala, Berlin Philharmonie, Blossom, Hollywood Bowl, Lucerne, BBC Proms, Ravinia, Tanglewood and Salzburg. An audience of more than 33,000 attended a gala concert with the Berlin Philharmonic conducted by Sir Simon Rattle at Berlin’s Waldbühne, now available on DVD (EuroArts). A record audience of more then 100.000 attended the Vienna Summer Night Concert in Schönbrunn (now available on CD and DVD by Sony). More than 1.5 million viewers followed the event worldwide on TV.
For their own label, KML Recordings, they have released a CD Box “Sisters”. Previous releases include a Gershwin/Bernstein album, and their project Minimalist Dream House (50 years of Minimalist music). The DVD “The Labèque Way, a letter to Katia and Marielle by Alessandro Baricco” produced by El Deseo (Pedro and Augustin Almodóvar) and filmed by Félix Cábez is released by EuroArts. Their biography “Une vie à quatre mains” by Renaud Machart is published by Buchet-Chastel.
Labèque’s label KML Recordings joined the historical label Deutsche Grammophon, their first collaboration being Stravinskyʼs Rite of Spring and Debussyʼs Epigraphes Antiques, followed by “Love Stories” with music by Leonard Bernstein and David Chalmin, “Amoria” a journey to their Basque roots covering five centuries of music, “Moondog”, a tribute to Louis Thomas Hardin, one of the true geniuses of his time. They just released a new album “El Chan” dedicated entirely to American composer Bryce Dessner, including his Concerto for two pianos with Orchestre de Paris conducted by Matthias Pintscher. The album is dedicated to the film director Alejandro Gonzalez Iñarritú, who created the album cover artwork.
Most recent performances include concerts with the New York Philharmonic, Camerata Salzburg, Elb Philharmonie Hamburg and Thom Yorke, Royal Concertgebouw Orchestra and Semyon Bychkov, Dresden Staatskapelle at Easter Festival Salzburg with Andres Orozco-Estrada , Chicago Symphony, Los Angeles Philharmonic, San Francisco Symphony and Berlin Philharmonic, including return visits to the Cleveland Orchestra, New York Philharmonic, Hollywood Bowl and Cincinnati Symphony. At the invitation of the Philharmonie Hall in Paris for a special “Week End”, attention was focused on “Amoria”, “Invocations” and their new project for two guitars and two pianos with David Chalmin and Bryce Dessner including a piece written for them by Thom Yorke “Don’t fear the Light” with Thom Yorke as special guest.
Music Director and Chief Conductor of the Czech Philharmonic, Semyon Bychkov was born in Leningrad in 1952, immigrated to the United States in 1975, and has been based in Europe since the mid-1980s. Like the Czech Philharmonic, Bychkov has one foot firmly in the cultures both of the East and the West.
Following his early concerts with the Czech Philharmonic in 2013, Bychkov and the Orchestra devised The Tchaikovsky Project, a series of concerts, residencies and studio recordings which allowed them the luxury of exploring Tchaikovsky’s music together. Its first fruit was released by Decca in October 2016, followed in August 2017 by the release of the Manfred symphony. The project culminates in 2019 with residencies in Prague, Vienna and Paris, and Decca’s release of all Tchaikovsky’s symphonies, the three piano concertos, Romeo & Juliet, Serenade for Strings and Francesca da Rimini.
Fourteen years after leaving the former Soviet Union, Bychkov returned to St Petersburg in 1989 as the Philharmonic’s Principal Guest Conductor, the same year as he was named Music Director of the Orchestre de Paris. His international career had taken off several years earlier when a series of high-profile cancellations resulted in invitations to conduct the New York Philharmonic, the Berlin Philharmonic and the Royal Concertgebouw Orchestra. In 1997, he was appointed Chief Conductor of the WDR Symphony Orchestra Cologne, and the following year, Chief Conductor of the Dresden Semperoper.
Bychkov conducts the major orchestras and at the major opera houses in the U.S. and Europe. In addition to his title with the Czech Philharmonic, he holds the Günter Wand Conducting Chair with the BBC Symphony Orchestra, with which he appears annually at the BBC Proms, and the honorary Klemperer Chair of Conducting at the Royal Academy of Music. He was named “Conductor of the Year” at the 2015 International Opera Awards. On the concert platform, the combination of innate musicality and rigorous Russian pedagogy has ensured that Bychkov’s performances are highly anticipated. With repertoire that spans four centuries, the coming season brings two weeks of concerts with the New York Philharmonic, which includes the US première of Thomas Larcher’s Symphony No. 2, and the Cleveland Orchestra where he will conduct Detlev Glanert, Martinů and Smetana. In Europe, his concerts include performances with the Leipzig Gewandhaus, Munich and Berlin Philharmonic Orchestras, Accademia Nazionale di Santa Cecilia, and the Royal Concertgebouw.
Bychkov’s recording career began in 1986 when he signed with Philips and began a significant collaboration which produced an extensive discography with the Berlin Philharmonic, Bavarian Radio, Royal Concertgebouw, Philharmonia Orchestra, London Philharmonic and Orchestre de Paris. Subsequently a series of benchmark recordings – the result of his 13-year collaboration (1997–2010) with the WDR Symphony Orchestra Cologne – include a complete cycle of Brahms’s Symphonies, and works by Strauss, Mahler, Shostakovich, Rachmaninoff, Verdi, Detlev Glanert and York Höller. His recording of Wagner’s Lohengrin was voted BBC Music Magazine’s Record of the Year in 2010; and his recent recording of Schmidt’s Symphony No. 2 with the Vienna Philharmonic was selected as BBC Music Magazine’s Record of the Month.