Czech Philharmonic / Josef Špaček
In February 2018, the Czech Philharmonic will visit seven cities of the Great Britain and Ireland together with ots Principal Guest Conductor Designate Tomáš Netopil. Joining the orchestra as solo guests will be cellist Alisa Weilerstein and violinist Josef Špaček.
Josef Špaček is fast emerging as one of the most accomplished violinists of his generation. He studied with Itzhak Perlman at The Juilliard School in New York, Ida Kavafian and Jaime Laredo at the Curtis Institute of Music in Philadelphia, and with Jaroslav Foltýn at the Prague Conservatory. He was laureate of the International Queen Elisabeth Competition in Brussels, and won top prizes at the Michael Hill International Violin Competition in New Zealand, the Carl Nielsen International Violin Competition in Denmark and the Young Concert Artists International Auditions in New York.
Highlights in 2016 include subscription concerts with the Czech Philharmonic Orchestra and Valery Gergiev (Beethoven concerto), his debut with the Rotterdam Philharmonic Orchestra and Jiří Bělohlávek (Dvořák concerto), his Berlin debut with the Konzerthausorchester Berlin and Thomas Sanderling (Beethoven concerto), his Amsterdam Concertgebouw debut with the Netherlands Philharmonic Orchestra and Thomas Søndergård (Nielsen concerto), his Tokyo debut with the Tokyo Metropolitan Symphony Orchestra and Jakub Hrůša (Dvořák concerto) and the Orchestra di Padova e del Veneto and Marco Angius (Brahms concerto), as well as recital debuts in among others Kennedy Center in Washington D.C. and La Jolla, San Diego. He will also be the soloist of the Czech Philharmonic Orchestra and Jiří Bělohlávek during their Asia tour.
Josef Špaček has served as concertmaster of the Czech Philharmonic Orchestra, the youngest in its history, until December 2015. The orchestra has named him “Associate Artist” as of January 2016.
In addition to the afore-mentioned orchestras Josef Špaček makes solo appearances with orchestras across Europe, the US and Asia, such as the Philadelphia Orchestra, Prague Philharmonia, Orchestre Philharmonique du Luxembourg, Essener Philharmoniker, Tonkünstlerorchester Niederösterreich, Orchestra Sinfonica Nazionale della RAI Torino, Orchestre National de Belgique, Melbourne Symphony Orchestra, Malaysian Philharmonic Orchestra, Orquesta Filarmónica de Málaga, Auckland Philharmonia Orchestra, Kansas City Symphony and Queensland Symphony Orchestra.
He collaborates with conductors such as Jiří Bělohlávek, Jakub Hrůša, Valery Gergiev, Christoph Eschenbach, Manfred Honeck, Semyon Bychkov, Asher Fisch, Roy Goodman, Eliahu Inbal, Jun Märkl, Thomas Søndergård, Thomas Sanderling, Giordano Bellincampi, Tomáš Netopil, Marco Angius and Rossen Milanov.
Josef Špaček gives numerous recitals in Europe (including at the Rudolfinum in Prague, the Konzerthaus in Vienna and at Schloß Elmau), Asia and the USA (among others at the Kennedy Center, Washington D.C. and La Jolla, San Diego).
April 2015 saw the Supraphon CD release of his highly praised recording of the violin concertos of Dvořák and Janáček, and of the Fantasy of Suk, with the Czech Philharmonic Orchestra conducted by Jiří Bělohlávek (among others “Recording of the week” of The Sunday Times, “Recording of the month and of the year” of MusicWeb International and 5* in Diapason). In 2013 Supraphon released his recording of works for violin and piano by Smetana, Janáček and Prokofiev with pianist Miroslav Sekera. In 2010 he recorded works by H.W. Ernst for Naxos. His first CD, which was released in 2006, includes a complete recording of the Sonatas for Solo Violin by Eugène Ysaÿe.
Josef Špaček plays a violin made in 1855 in the workshop of Jean-Baptiste Vuillaume.
In performances marked by intensity, sensitivity, and a wholehearted immersion in each of the works she interprets, the American cellist has long proven herself to be in possession of a distinctive musical voice. An exclusive recording artist for Decca Classics since 2010, Weilerstein is the first cellist to be signed by the prestigious label in more than 30 years.
For her first album on the Decca label, Weilerstein recorded the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin. On her second Decca disc, released in early 2014, Weilerstein undertook Dvořákʼs Cello Concerto with Jiří Bělohlávek and the Czech Philharmonic.
In the 2013/2014 season Weilerstein gave the New York premiere of Matthias Pintscherʼs Reflections on Narcissus under the composerʼs own direction during the New York Philharmonicʼs inaugural Biennial. She also collaborated on Prokofievʼs Sinfonia Concertante with Jaap van Zweden and the Chicago Symphony, and on Elgar with Peter Oundjian and the Toronto Symphony; made her debut with the Japan Century Symphony Orchestra; returned to Londonʼs Royal Festival Hall with Kirill Karabits and the Bournemouth Symphony; toured Europe playing Schumann with the Mannheim Symphony Orchestra and Mozarteum Orchestra; and reprised Dvořákʼs concerto with Bělohlávek and the Czech Philharmonic on a European tour that included a return to Londonʼs BBC Proms. Besides serving as artist-in-residence with the Cincinnati Symphony, she had engagements with the Boston, Dallas, Houston, San Francisco, and New Zealand symphonies, and with the Israel Philharmonic. In recital, she appeared at Londonʼs Wigmore Hall on a European tour with pianist Inon Barnatan, at Sydney Opera House and Melbourne Recital Centre, at the Aspen Music Festival, and at the Caramoor International Music Festival, where she served as 2014 artist-in-residence.
To launch the 2014/15 season, Weilerstein joined the Milwaukee Symphony and Edo de Waart for the Elgar concerto. She played Dvořák with the New York Philharmonic and Christoph von Dohnányi; Haydn on a German tour with the Australian Chamber Orchestra; and Shostakovich with Englandʼs Hallé Orchestra, the Warsaw Philharmonic, and the Orchestra of St. Lukeʼs at Carnegie Hall. Other orchestral collaborations included dates with the Orchestre de Paris, Zurichʼs Tonhalle Orchestra, Berlinʼs Konzerthausorchester, the Montreal Symphony, the Czech Philharmonic, Denmarkʼs Aalborg Symphony, Spainʼs Orquesta de Valencia, and the Luxembourg Philharmonic. The 2014/2015 seasonʼs recital highlights included appearances in Boston, Aspen, and the Wigmore Hall, where Weilerstein showcased repertoire from Solo, her compilation of unaccompanied 20th-century cello music, which was due for U.S. release by Decca in late 2014.
Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra (originally premiered by Yo-Yo Ma) for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival.
Weilerstein has appeared at major music festivals throughout the world. In addition to her appearances as a soloist and recitalist, she performs regularly as a chamber musician. She has been part of a core group of musicians at the Spoleto Festival USA for the past eight years and also performs with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio, the trio-in-residence at Bostonʼs New England Conservatory.
The cellist is the winner of both Lincoln Centerʼs 2008 Martin E. Segal prize for exceptional achievement and the 2006 Leonard Bernstein Award.
“I am immensely honored to be part of an artistic team with the potential to follow up fully on the artistic legacy of Jiří Bělohlávek and to further refine the orchestra into the form of perfect musical joy. For me, working with this orchestra is at once a great obligation, a challenge, and a pleasure.“
Tomáš Netopil, who studied violin and conducting both in his native Czech Republic with Jiří Bělohlávek and under the guidance of Jorma Panula at the Royal College of Music in Stockholm, made his debut with the Czech Philharmonic in 2007 in a programme of Haydn, Sibelius and Novák. He has subsequently returned to conduct the Orchestra on twelve occasions, most recently in its New Year’s Day concert in 2015. In October 2017, the Orchestra appointed him as Principal Guest Conductor from 2018/19 season together with Jakub Hrůša.
His broad repertoire reflects his Czech heritage with recent performances including Janáček’s Makropulos Case (Vlaamse Opera in Antwerp); The Cunning Little Vixen (Semperoper Dresden, Vienna Staatsoper); Kát’a Kabanová (Vienna Staatsoper); and Dvořák’s Rusalka (Vienna Staatsoper) sitting alongside Busoni’s Dr Faust (Dresden Semperoper); Mozart’s Così fan tutte (Vienna Staatsoper); and Halévy’s La Juive (Vlaamse Opera).
Tomáš Netopil was appointed Music Director of the Aalto Theatre and Philhmarmonie Essen in 2013. In addition to his opera commitments which have included productions of Verdi’s Macbeth, Mozart’s Don Giovanni and La Clemenza di Tito, Wagner’s Lohengrin and The Flying Dutchman, and Strauss’ Elektra and Der Rosenkavalier, Netopil is also a regular presence on the concert platform. Before moving to Essen, he was Music Director of the Prague National Theatre and Estates Theatre for four years.
In addition to his work in the opera house, Netopil has conducted the Berliner Philharmoniker, the Gewandhaus Orchester Leipzig, the Dresdner Staatskapelle, Sinfonieorchester des Bayerischen Rundfunks, MDR Sinfonieorchester Leipzig, RSB Berlin, Konzerthausorchester Berlin, Frankfurter Museumsorchester, Staatsorchester Stuttgart, Wiener Symphoniker, London Philharmonic Orchestra, Philharmonia Orchestra, BBC Philharmonic Orchestra, Tonhalle Orchester Zürich, Orchestre de la Suisse Romande, Orchestre de Paris, Rotterdams Philharmonisch Orkest, Orchestre National du Capitol Toulouse, Orchestre National de Montpellier, Orchestre National de Lille, Orchestra Filarmonica della Scala Milano, Orchestra dell´Accademia Nazionale di Santa Cecilia, Roma, Orchestra del Maggio Musicale Fiorentino, Orchestra Nazionale della RAI Torino, Filarmonica Arturo Toscanini Parma, Sydney Symphony Orchestra, Royal Stockholm Philharmonic, Oslo Philharmonie, Israel Philharmonic Orchestra, NHK Symphony Orchestra and Dallas Symphony Orchestra.
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