<h3><a href="http://www.okticket.de/index.php?event_id=11251&cookiecheck=true" target="_blank">9. 5. 2015 / WEIDEN / Max-Reger-Halle</a></h3> <ul> <li>B. SMETANA: <em>Vyšehrad, Vltava – <em>symphonic poems from "My Country"</em></em></li> <li>L. JANÁČEK (arr. F. JÍLEK):<em> Cunning Little Vixen, suite from the opera</em></li> <li>A. DVOŘÁK:<em> <em>Cello Concerto in B minor, Op. 104</em></em></li> </ul> <h3><a href="http://www.kulturbuero-friedrichshafen.de/spielplan/veranstaltungen/termin/10/mai/2015/veranstaltung/tschechische-philharmonie.html" target="_blank">10. 5. 2015 / FRIEDRICHSHAFEN / Graf-Zeppelin-Haus</a></h3> <ul> <li>B. SMETANA: <em>Vyšehrad, Vltava – <em>symphonic poems from "My Country"</em></em></li> <li>L. JANÁČEK (arr. F. JÍLEK):<em> <em>Cunning Little Vixen, suite from the opera</em></em></li> <li>A. DVOŘÁK:<em> <em>Cello Concerto in B minor, Op. 104</em></em></li> </ul> <ul> <li><strong>Alisa WEILERSTEIN </strong>– cello</li> <li><strong>Petr ALTRICHTER </strong>– conductor</li> </ul>
In performances marked by intensity, sensitivity, and a wholehearted immersion in each of the works she interprets, the American cellist has long proven herself to be in possession of a distinctive musical voice. An exclusive recording artist for Decca Classics since 2010, Weilerstein is the first cellist to be signed by the prestigious label in more than 30 years.
For her first album on the Decca label, Weilerstein recorded the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin. On her second Decca disc, released in early 2014, Weilerstein undertook Dvořákʼs Cello Concerto with Jiří Bělohlávek and the Czech Philharmonic.
In the 2013/2014 season Weilerstein gave the New York premiere of Matthias Pintscherʼs Reflections on Narcissus under the composerʼs own direction during the New York Philharmonicʼs inaugural Biennial. She also collaborated on Prokofievʼs Sinfonia Concertante with Jaap van Zweden and the Chicago Symphony, and on Elgar with Peter Oundjian and the Toronto Symphony; made her debut with the Japan Century Symphony Orchestra; returned to Londonʼs Royal Festival Hall with Kirill Karabits and the Bournemouth Symphony; toured Europe playing Schumann with the Mannheim Symphony Orchestra and Mozarteum Orchestra; and reprised Dvořákʼs concerto with Bělohlávek and the Czech Philharmonic on a European tour that included a return to Londonʼs BBC Proms. Besides serving as artist-in-residence with the Cincinnati Symphony, she had engagements with the Boston, Dallas, Houston, San Francisco, and New Zealand symphonies, and with the Israel Philharmonic. In recital, she appeared at Londonʼs Wigmore Hall on a European tour with pianist Inon Barnatan, at Sydney Opera House and Melbourne Recital Centre, at the Aspen Music Festival, and at the Caramoor International Music Festival, where she served as 2014 artist-in-residence.
To launch the 2014/15 season, Weilerstein joined the Milwaukee Symphony and Edo de Waart for the Elgar concerto. She played Dvořák with the New York Philharmonic and Christoph von Dohnányi; Haydn on a German tour with the Australian Chamber Orchestra; and Shostakovich with Englandʼs Hallé Orchestra, the Warsaw Philharmonic, and the Orchestra of St. Lukeʼs at Carnegie Hall. Other orchestral collaborations included dates with the Orchestre de Paris, Zurichʼs Tonhalle Orchestra, Berlinʼs Konzerthausorchester, the Montreal Symphony, the Czech Philharmonic, Denmarkʼs Aalborg Symphony, Spainʼs Orquesta de Valencia, and the Luxembourg Philharmonic. The 2014/2015 seasonʼs recital highlights included appearances in Boston, Aspen, and the Wigmore Hall, where Weilerstein showcased repertoire from Solo, her compilation of unaccompanied 20th-century cello music, which was due for U.S. release by Decca in late 2014.
Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra (originally premiered by Yo-Yo Ma) for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival.
Weilerstein has appeared at major music festivals throughout the world. In addition to her appearances as a soloist and recitalist, she performs regularly as a chamber musician. She has been part of a core group of musicians at the Spoleto Festival USA for the past eight years and also performs with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio, the trio-in-residence at Bostonʼs New England Conservatory.
The cellist is the winner of both Lincoln Centerʼs 2008 Martin E. Segal prize for exceptional achievement and the 2006 Leonard Bernstein Award.
Petr Altrichter is one of the most distinguished Czech conductors, and he has earned an illustrious reputation for the dynamism and depth of his interpretations of symphonic music.
He was raised in a musical family, and he played musical instruments from a young age. Having graduated from the conservatory in Ostrava as a French horn player and conductor, he continued his studies at the JanáčekAcademy of the Performing Arts in Brno in the fields of orchestral conducting under the guidance of Otakar Trhlík and František Jílek and choral conducting with the teachers Josef Veselka and Lubomír Mátl. After his studies in Brno, he worked as a choirmaster and conductor with the Brno Academic Choir, and he played a part in the earning of many prizes at foreign choral competitions and festivals (Middlesbrough, Debrecen…).
Altrichter attracted international attention in 1976, when he earned the title of laureate and a special prize from the jury at the renowned conducting competition in Besancon, France. On the basis of that prize, he became Václav Neumann’s assistant conductor with the Czech Philharmonic, and he started his own artistic career. Not long after that, he began to receive invitations to conduct orchestras abroad.
After a period of activity with the Brno Philharmonic, in 1988 he became a conductor of the Prague Symphony Orchestra, and in 1990 he became its principal conductor. With that orchestra, he made frequent foreign tours to Japan, the USA, Switzerland, Germany, France, and other countries. At the same time, he was engaged in long-term collaboration with the Czech Chamber Philharmonic Orchestra in Pardubice, with which he often gave performances abroad introducing many gifted young soloists (such as Isabelle van Keulen and Radek Baborák) who are now firmly established on concert stages around the world.
From 1993, he was the music director of the Southwest German Philharmonic Orchestra of Constance, with which he gave concerts regularly at the Tonhalle in Zurich and at the KKL in Lucerne, and he also toured Switzerland and Italy.
Petr Altrichter made his debut in the United Kingdom with the Prague Symphony Orchestra at the Edinburgh Festival in 1993, and his London debut with the English Chamber Orchestra followed soon thereafter. In 1997 he was appointed as the principal conductor of the Royal Liverpool Philharmonic after having guest conducted the orchestra with great success during the previous season. He also made an appearance with that orchestra in 2000 at the BBC Proms at London’s Royal Albert Hall, and he made a number of highly acclaimed recordings for the orchestra’s own label – RLPO Live.
In 2001 Altrichter was invited to take the helm of the Brno Philharmonic, and he remained there for seven years, returning to the orchestra with which he had been associated since his student days, and he still continues to guest conduct there regularly.
He is also a regular guest of the Czech Philharmonic, with which he has maintained a steady artistic relationship since his beginnings there as an assistant, and of the Prague Symphony Orchestra, the Brno Philharmonic, and the Slovak Philharmonic, with which he recorded a warmly received award-winning CD with repertoire by Antonín Dvořák.
In 2015 he toured Germany with the Czech Philharmonic, and in late 2015 and early 2016, he toured China with the same orchestra. In the spring of 2017 he toured Japan with the Prague Symphony Orchestra, with which Altrichter is planning a tour of Germany next year. His 2018 calendar includes a tour of the United Kingdom with the Czech National Symphony Orchestra.
He has guest conducted major orchestras abroad, including Japan’s NHK Symphony Orchestra and the Berlin Symphony Orchestra. In the United Kingdom he has collaborated with the BBC Symphony Orchestra, the Royal Scottish National Orchestra, the BBC Scottish Symphony Orchestra, and the London Philharmonic Orchestra.
Among the orchestras he has guest conducted are the Bruckner Orchestra in Linz, the Warsaw Philharmonic, the Krakow Philharmonic, the Southwest German Radio Symphony Orchestra in Baden-Baden, the Latvian National Symphony Orchestra in Riga, the Gran Canaria Philharmonic Orchestra, the Luxembourg Philharmonic Orchestra, the Netherlands Philharmonic, the Stavanger Symphony Orchestra, the Norrköping Symphony Orchestra, the Royal Danish Orchestra in Copenhagen, and the Odense Symphony Orchestra.
The festivals at which he is a frequent guest include Prague Spring, Janáček May in Ostrava, Smetana’s Litomyšl, Moravian Autumn in Brno, and the Bratislava Music Festival.
He has made guest appearances at major festivals in Salzburg, Edinburgh, Avignon, Athens, Cheltenham, Paris, Madrid, Chicago, Zurich, Lucerne, Vienne, Seville, Palermo, and elsewhere.
The bulk of Petr Altrichter’s repertoire consists of Czech music – Bedřich Smetana, Antonín Dvořák, Leoš Janáček, and Bohuslav Martinů, Russian music – especially Dmitri Shostakovich, and the works of Gustav Mahler and Anton Bruckner. Important soloists and performers from around the world (Garrick Ohlsson, John Lill, Tabea Zimmermann…) value his flexibility in leading orchestral accompaniments, and they seek out collaboration with him.
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