In any case, the performance of Dvorak’s “New World” Symphony that concluded the program was lovely, flexible in its tempos and phrasing. The strings were warm and caressing, the brasses brash and incisive; the woodwinds sang with a slightly nasal, Slavic character and danced with a playful show of elbows and knees.
James R. Oestreich, The New York Times, 17 November 2014
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